਀ऀ㰀唀䰀㸀

この目録は近世（15～19世紀）西欧でその存在が知られている建築関係の著作（主として建築全般の理論書、ただし、芸術論一般や処世論、透視図法に関わっては絵画理論、数学・物理学理論、また築城・治水技術に関わっては土木関係理論書、庭園に関わっては農学書なども適宜拾い上げている。ただし純然たる歴史研究、評伝などは除いた）をできるだけ網羅して、年代順に配列したものである。未だ豎桛村稰ྐ䱯ᨰ䑙䰰İﴰ֏欰ﴰ�殈ꨰ腒昰蘰䴰弰䐰Ȱ㰰⼀倀㸀

各著作の前に付した(全)、(透)などの略号は、理解の便のために著作の内容に即して分類を試みたもので、きわめて便宜的なものである。その内容は以下の通り。

਀ऀ㰀⼀唀䰀㸀

਀㰀吀愀戀氀攀 愀氀椀最渀㴀∀挀攀渀琀攀爀∀ 戀漀爀搀攀爀㴀㄀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀栀⥑㰀⼀吀䐀㸀 建築全般਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀瀀⥥㰀⼀吀䐀㸀 数学਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀伀⥏㰀⼀吀䐀㸀 住居論・家政論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀鬀⥒㰀⼀吀䐀㸀 力学਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀甀⥽㰀⼀吀䐀㸀 絵画論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀㐀⥬㰀⼀吀䐀㸀 水力学・水理論਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀ꨀ⤰㰀⼀吀䐀㸀 オーダー論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀开⥪㰀⼀吀䐀㸀 機械論਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀퐀⥫㰀⼀吀䐀㸀 比例論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀踀⥿㰀⼀吀䐀㸀 美学਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀欀⥟㰀⼀吀䐀㸀 彫刻論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀⥔㰀⼀吀䐀㸀 哲学਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀ﴀ⦐㰀⼀吀䐀㸀 都市論・ユートピア論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀ἀ⥗㰀⼀吀䐀㸀 土木技術論਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀관⥞㰀⼀吀䐀㸀 庭園論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀촀⦎㰀⼀吀䐀㸀 軍事建築・軍事技術論਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀⥖㰀⼀吀䐀㸀 図像論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀Ⰰ⥮㰀⼀吀䐀㸀 測量技術਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀ༀ⦐㰀⼀吀䐀㸀 透視図法論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀ᴀ⥏㰀⼀吀䐀㸀 伝記・評伝਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀蜀⥒㰀⼀吀䐀㸀 劇場論਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀琀⥫㰀⼀吀䐀㸀 歴史研究਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀縀⥞㰀⼀吀䐀㸀 幾何学਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀씀⦈㰀⼀吀䐀㸀 装飾論਀㰀⼀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀혀⥎㰀⼀吀䐀㸀 その他਀㰀⼀吀刀㸀 ਀㰀⼀倀㸀 ਀㰀倀㸀 参考図書਀㰀吀刀㸀 ਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀㰀䈀㸀䴀愀最渀椀渀漀㰀⼀䈀㸀Ⰰ 䨀甀氀椀甀猀 匀挀栀氀漀猀猀攀爀 ਀㰀⼀吀愀戀氀攀㸀

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਀㰀℀ⴀⴀ ⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀⴀ 吀愀戀氀攀 ⴀⴀⴀⴀⴀⴀⴀⴀ ⴀⴀ㸀

Comolli, Angelo਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀㰀䤀㸀䈀椀戀氀椀漀最爀愀昀椀愀 猀琀漀爀椀挀漀ⴀ挀爀椀琀椀挀愀 搀攀氀氀怀愀爀挀栀椀琀攀琀琀甀爀愀㰀⼀䤀㸀 ⠀㐀 瘀漀氀氀⤀	Roma਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀㄀㜀㠀㠀⼀㤀㈀	(ristamp. Milano 1964)਀㰀⼀吀刀㸀
Die Kunstliteratur਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀圀椀攀渀	1924਀㰀吀䐀 䄀䰀䤀䜀一㴀∀氀攀昀琀∀㸀⠀琀爀愀搀⸀ 㰀䤀㸀椀琀⸀㰀⼀䤀㸀Ⰰ 㰀䌀䤀吀䔀㸀䰀愀 氀攀琀琀攀爀愀琀甀爀愀 愀爀琀椀猀琀椀挀愀㰀⼀䌀䤀吀䔀㸀Ⰰ 䘀椀爀攀渀稀攀 ㄀㤀㘀㐀㌀⤀

਀ 㰀琀爀 愀氀椀最渀㴀挀攀渀琀攀爀 䈀䜀䌀伀䰀伀刀㴀⌀㠀　㠀　㠀　㸀 ਀  㰀琀搀㸀琀㱎⼀琀搀㸀 ਀  㰀琀搀㸀圀岄㱏⼀琀搀㸀 ਀  㰀琀搀㸀㌀㱦⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㐀　　㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀 挀漀氀猀瀀愀渀㴀㐀㸀⠀옰אּꬰ쌰뜰ﰰ츰‰䴀漀渀琀攀 䌀愀猀猀椀渀漀 协抐䮖褰‰倀漀最最椀漀 䈀爀愀挀挀椀漀氀椀渀椀 䰀꘰ꌰ젰꘰ꌰ꘰뤰渰谰桛饑ⱑ鉧稰譶উ㳿⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㐀㌀㌀⼀㐀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀䌀䤀吀䔀㸀䤀 䰀椀戀爀椀 搀攀氀氀愀 䘀愀洀椀最氀椀愀㰀⼀䌀䤀吀䔀㸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀椀渀 㰀䌀䤀吀䔀㸀伀瀀攀爀攀 瘀漀氀最愀爀椀㰀⼀䌀䤀吀䔀㸀 ⠀攀搀⸀ 䌀攀挀椀氀 䜀爀愀礀猀漀渀⤀Ⰰ 瘀漀氀⸀ 䤀Ⰰ ㄀㤀㘀　Ⰰ 䈀愀爀椀 ⼀ ㄀㤀㘀㤀Ⰰ 愀 挀甀爀愀 搀椀 刀⸀ 刀漀洀愀渀漀 ☀愀洀瀀㬀 吀攀渀攀渀琀椀Ⰰ 吀漀爀椀渀漀 ⠀䔀椀渀愀甀搀椀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㐀㌀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀䌀䤀吀䔀㸀䐀攀 瀀椀挀琀甀爀愀㰀⼀䌀䤀吀䔀㸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀椀渀 㰀䌀䤀吀䔀㸀伀瀀攀爀攀 瘀漀氀最愀爀椀㰀⼀䌀䤀吀䔀㸀 ⠀攀搀⸀ 䌀攀挀椀氀 䜀爀愀礀猀漀渀⤀Ⰰ 瘀漀氀⸀ 䤀䤀䤀Ⰰ ㄀㤀㜀㌀Ⰰ 䈀愀爀椀 ⼀⼀ ꘀ㎐Ɗर⩎辏繹㍧Ɗర㰰䌀䤀吀䔀㸀甀㭽홵㲊⼀䌀䤀吀䔀㸀　、中央公論美術出版、1971਀ 㰀⼀琀爀㸀 ਀  㰀琀搀 㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀漀渀⸀嬀䄀氀戀攀爀琀椀 㼀崀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀瀀⥥㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀⸀ 䈀⸀ 䄀氀戀攀爀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ﴀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀⸀ 䈀⸀ 䄀氀戀攀爀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀爀攀渀稀漀 䜀栀椀戀攀爀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀欀⥟㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀⸀ 䈀⸀ 䄀氀戀攀爀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀 挀漀氀猀瀀愀渀㴀㐀㸀⠀뀀ﰰ옰�뀰渰瀰㝓卒窈๶⥦㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㐀㔀㔀 挀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀䌀䤀吀䔀㸀䐀攀 爀攀 愀攀搀椀昀椀挀愀琀漀爀椀愀㰀⼀䌀䤀吀䔀㸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㐀㠀㔀Ⰰ 䘀椀爀攀渀稀攀 ⼀ ㄀㔀㄀㄀Ⰰ 㐀㄀Ⰰ 匀琀爀愀猀戀漀甀爀最 ⼀ ㄀㔀㄀㈀Ⰰ 㐀㌀Ⰰ 倀愀爀椀猀 ⼀⼀ ㄀㔀㐀㘀Ⰰ 琀爀愀搀⸀ 㰀䤀㸀䤀琀⸀㰀⼀䤀㸀Ⰰ 嘀攀渀攀稀椀愀 ⼀ ㄀㔀㔀　Ⰰ 㘀㔀Ⰰ 琀爀愀搀⸀ 㰀䤀㸀䤀琀⸀㰀⼀䤀㸀Ⰰ 䘀椀爀攀渀稀攀 ⠀挀漀渀 椀氀氀甀猀琀⸀ 搀愀 䌀漀猀椀洀漀 䈀愀爀琀漀氀椀⤀ ⼀⼀ ㄀㔀㔀㌀Ⰰ 琀爀愀搀⸀ 㰀䤀㸀䘀爀⸀㰀⼀䤀㸀Ⰰ 倀愀爀椀猀 ⼀⼀ ㄀㤀㘀㘀 ⠀䰀愀琀⸀ ☀愀洀瀀㬀 㰀䤀㸀䤀琀⸀㰀⼀䤀㸀Ⰰ 愀 挀甀爀愀 搀椀 䜀⸀ 伀爀氀愀渀搀椀⤀Ⰰ 䴀椀氀愀渀漀 ⠀䔀搀⸀ 椀氀 倀漀氀椀昀椀氀漀⤀ ⼀⼀ ㄀㤀㠀㠀 ⠀琀爀愀搀⸀ 㰀䤀㸀䔀渀最⸀㰀⼀䤀㸀Ⰰ 戀礀 刀礀欀眀攀爀琀 ☀愀洀瀀㬀 䰀攀愀挀栀Ⰰ 吀愀瘀攀爀渀漀爀⤀Ⰰ 䌀愀洀戀爀椀搀最攀Ⰰ 䴀愀猀猀⸀ ⠀䴀䤀吀⤀ ⼀⼀ ꘀ㎐Ɗ�楝㍭Ɗⴰ⹎汙홑躊卿愈䡑Ų㄰㤀㠀㈀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㐀㘀　 挀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀䌀䤀吀䔀㸀吀爀愀琀琀愀琀漀 搀攀氀氀ᤀ†愀爀挀栀椀琀攀琀琀甀爀愀㰀⼀䌀䤀吀䔀㸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀琀爀愀搀⸀ 㰀䤀㸀䔀渀最⸀㰀⼀䤀㸀Ⰰ ☀愀洀瀀㬀 昀愀挀猀椀洀椀氀攀Ⰰ 戀礀 刀⸀ 匀瀀攀渀挀攀爀Ⰰ 一攀眀 䠀愀瘀攀渀 ☀愀洀瀀㬀 䰀漀渀搀漀渀 ㄀㤀㘀㔀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㐀㠀　 挀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀䌀䤀吀䔀㸀吀爀愀琀琀愀琀椀 搀攀氀氀ᤀ†愀爀挀栀椀琀攀琀琀甀爀愀 椀渀最攀最渀攀爀椀愀 攀 愀爀琀攀 洀椀氀椀琀愀爀攀㰀⼀䌀䤀吀䔀㸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㤀㘀㜀 ⠀愀 挀甀爀愀 搀椀 䌀Ⰰ 䴀愀氀琀攀猀攀⤀Ⰰ 䴀椀氀愀渀漀 ⠀䔀搀⸀ 椀氀 倀漀氀椀昀椀氀漀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㐀㠀　 挀⸀㼀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀䌀䤀吀䔀㸀嘀椀琀愀 搀椀 䘀椀氀椀瀀瀀漀 䈀爀甀渀攀氀氀攀猀挀栀椀㰀⼀䌀䤀吀䔀㸀㰀⼀琀搀㸀 ਀  㰀琀搀 㸀㄀㤀㜀㘀Ⰰ 䴀椀氀愀渀漀 ⠀攀搀⸀ 椀氀 倀漀氀椀昀椀氀漀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㐀㠀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀䌀䤀吀䔀㸀嘀椀琀爀甀瘀椀椀 倀漀氀氀椀漀渀椀猀 愀搀 䌀愀攀猀愀爀攀洀 䄀甀最甀猀琀甀洀 搀攀 䄀爀挀栀椀琀攀挀琀甀爀愀 氀椀戀攀爀 primus (et sequentes IX) ex rec. Joan. Sulpitii Verulani਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀椀攀爀漀 搀攀氀氀愀 䘀爀愀渀挀攀猀挀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀瀀⥥㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀甀挀愀 倀愀挀椀漀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀爀愀渀挀攀猀挀漀 䴀愀爀椀愀 䜀爀愀瀀愀氀搀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀⥖㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀爀愀 䘀爀愀渀挀攀猀挀漀 䌀漀氀漀渀渀愀 ⠀㼀⤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ﴀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀漀渀⸀ ⠀䈀爀愀洀愀渀琀攀 㼀⤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀愀瘀椀漀 䌀愀氀瘀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀攀愀渀 倀☀攀愀挀甀琀攀㬀氀攀爀椀渀Ⰰ 搀椀琀 氀攀 嘀椀愀琀攀甀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀漀甀氀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀縀⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀⸀ 娀愀洀戀攀爀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀愀昀昀愀攀氀氀漀 䴀愀昀昀攀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀퐀⥫㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀甀挀愀 倀愀挀椀漀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀퐀⥫㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀甀挀愀 倀愀挀椀漀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀縀⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀甀挀愀 倀愀挀椀漀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀开⥪㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀漀渀愀爀搀漀 搀愀 嘀椀渀挀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀爀愀 䜀椀漀挀漀渀搀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀攀搀⸀ 㠀 瘀漀⸀Ⰰ ㄀㔀㄀㌀Ⰰ ㈀㈀Ⰰ 䘀椀爀攀渀稀攀 ⼀ ㄀㔀㌀㌀Ⰰ 䰀礀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㄀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀⸀ 䨀甀氀椀椀 䌀愀攀猀愀爀椀猀 䌀漀洀洀攀渀琀愀爀椀漀爀甀洀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㄀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀椀戀爀椀 搀攀 爀攀 爀甀猀琀椀挀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㄀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀椀戀爀漀 搀椀 䄀爀椀琀栀洀攀琀椀挀愀 攀 䜀攀漀洀攀琀爀椀愀 猀瀀攀挀甀氀愀琀椀瘀愀 攀 瀀爀愀琀椀挀愀氀攀⸀⸀⸀ Intitulata Scala Grimaldelli਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀攀猀愀爀攀 䌀攀猀愀爀椀愀渀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㔀㈀Ⰰ 䌀漀洀漀 ⼀⼀ 攀搀⸀ 昀愀挀猀椀洀椀氀攀Ⰰ ㄀㤀㠀㄀ ⠀愀 挀甀爀愀 搀椀 䄀⸀ 䈀爀甀猀挀栀椀⤀Ⰰ 䴀椀氀愀渀漀 ⠀䔀搀⸀ 椀氀 Polifilo)਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀퐀⥫㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀爀愀渀挀攀猀挀漀 䜀椀漀爀最椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀氀戀爀攀挀栀琀 䐀☀甀甀洀氀㬀爀攀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㌀㌀Ⰰ ㌀㠀Ⰰ 一☀甀甀洀氀㬀爀渀戀攀爀最 ⼀ ㄀㘀　㌀Ⰰ 　㘀Ⰰ 䄀爀渀栀攀洀 ⼀⼀ 攀搀⸀ 㰀䤀㸀䰀愀琀⸀㰀⼀䤀㸀Ⰰ ㄀㔀㌀㈀Ⰰ ㌀㐀Ⰰ ㌀㔀Ⰰ 倀愀爀椀猀 ⼀ ㄀㘀　㌀Ⰰ 　㘀Ⰰ 䄀爀渀栀攀洀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㈀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀攀搀椀搀愀猀 搀攀氀 刀漀洀愀渀漀Ⰰ 愀 氀漀猀 漀昀昀椀挀椀愀氀攀猀 焀甀攀 焀甀椀攀爀攀渀 猀攀最甀椀爀 氀愀猀 formaciones de las basas, colunas, capitales y ortas piezas de los edificios਀  愀渀琀椀最甀漀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㐀㄀Ⰰ 㐀㈀Ⰰ 䰀椀猀戀☀漀挀椀爀挀㬀渀 ⼀ ㄀㔀㐀㤀Ⰰ 㘀㐀Ⰰ 吀漀氀攀搀漀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㈀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䔀琀栀氀椀挀栀 唀渀搀攀爀爀椀挀栀琀 瘀漀渀 䈀攀昀攀猀琀椀最甀渀最 搀攀爀 匀琀攀琀琀Ⰰ 匀挀栀氀漀猀猀 甀渀搀 Flecken਀  㰀琀搀㸀一☀甀甀洀氀㬀爀渀戀攀爀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀퐀ﭫ田⥽㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀氀戀爀攀挀栀琀 䐀☀甀甀洀氀㬀爀攀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀一☀甀甀洀氀㬀爀渀戀攀爀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀퐀⥫㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀攀漀昀昀爀漀礀 吀爀漀礀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀∀洀猀漀ⴀ猀瀀愀挀攀爀甀渀㨀 礀攀猀∀㸀☀渀戀猀瀀㬀㰀⼀猀瀀愀渀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䠀椀攀爀漀渀椀洀甀猀 刀漀搀氀攀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㐀㘀Ⰰ 䘀爀愀渀欀昀甀爀琀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㌀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䔀礀渀 渀攀眀 䬀甀渀猀琀氀椀挀栀猀 眀漀氀最攀最爀☀甀甀洀氀㬀渀搀椀猀 嘀椀猀椀攀爀戀甀挀栀⸀⸀⸀ 搀攀爀 最氀攀椀挀栀攀渀 渀漀挀栀 nie getruckt oder assgangen਀  㰀琀搀㸀匀琀爀愀猀戀漀甀爀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀一椀挀挀漀氀☀漀最爀愀瘀攀㬀 搀椀 䄀爀椀猀琀漀琀攀氀攀猀Ⰰ 搀攀琀琀漀 椀氀 娀漀瀀瀀椀渀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀⸀ 䈀⸀ 䌀愀瀀漀爀愀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀攀爀甀最椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀瀀⥥㰀⼀琀搀㸀 ਀  㰀琀搀㸀一⸀ 吀愀爀琀愀最氀椀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀Ⰰ⥮㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀椀挀栀愀爀搀 䈀攀渀攀猀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀攀戀愀猀琀椀愀渀漀 匀攀爀氀椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㐀　Ⰰ 㐀㐀Ⰰ 㔀㄀Ⰰ 㔀㤀Ⰰ 嘀攀渀攀稀椀愀 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀伀氀愀渀搀⸀㰀⼀䤀㸀Ⰰ ㄀㔀㌀㤀Ⰰ 㐀㤀Ⰰ 䄀渀琀眀攀爀瀀攀渀 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀䘀爀⸀㰀⼀䤀㸀Ⰰ ㄀㔀㐀㔀Ⰰ 䄀渀琀眀攀爀瀀攀渀 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀䜀攀爀洀⸀㰀⼀䤀㸀Ⰰ ㄀㔀㐀㈀Ⰰ 䄀渀琀眀攀爀瀀攀渀 ⼀⼀⼀ 㰀䈀㸀䰀椀戀⸀ 䤀䤀䤀㰀⼀䈀㸀 ⠀䄀渀琀椀挀栀椀琀☀愀最爀愀瘀攀㬀⤀Ⰰ ㄀㔀㐀　Ⰰ 㔀㄀Ⰰ 㘀㈀Ⰰ 嘀攀渀攀稀椀愀 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀䘀爀⸀㰀⼀䤀㸀Ⰰ ㄀㔀㔀　Ⰰ 䄀渀琀眀攀爀瀀攀渀 ⼀⼀⼀ 㰀䈀㸀䰀椀戀⸀ 䤀Ⰰ 䤀䤀㰀⼀䈀㸀 ⠀䜀攀漀洀攀琀爀椀愀 ☀愀洀瀀㬀 倀爀漀猀瀀攀琀琀椀瘀愀Ⰰ 㰀䤀㸀䤀琀愀⸀㰀⼀䤀㸀 ☀愀洀瀀㬀 㰀䤀㸀䘀爀⸀㰀⼀䤀㸀⤀ ⼀⼀ ㄀㔀㐀㔀Ⰰ 㠀㜀Ⰰ 倀愀爀椀猀 ⼀⼀ 攀搀⸀ 㰀䤀㸀䤀琀⸀㰀⼀䤀㸀Ⰰ ㄀㔀㘀　Ⰰ 嘀攀渀攀稀椀愀 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀伀氀愀渀搀⸀㰀⼀䤀㸀Ⰰ ㄀㔀㔀㌀Ⰰ 䄀渀琀眀攀爀瀀攀渀 ⠀猀漀氀漀 㰀䈀㸀䰀椀戀⸀ 䤀䤀㰀⼀䈀㸀⤀ ⼀⼀⼀ 㰀䈀㸀䰀椀戀⸀ 嘀㰀⼀䈀㸀 ⠀吀攀洀瀀樀 猀愀挀爀椀⤀Ⰰ ㄀㔀㐀㜀Ⰰ 倀愀爀椀猀 ⼀ ㄀㔀㔀㄀Ⰰ 㔀㤀Ⰰ 嘀攀渀攀稀椀愀 ⼀⼀⼀ 㰀䈀㸀䰀椀戀⸀ 䔀砀琀爀愀㰀⼀䈀㸀 ⠀倀漀爀琀攀⤀Ⰰ ㄀㔀㔀㄀Ⰰ 㔀㠀Ⰰ 㘀　Ⰰ 䰀礀漀渀 ⼀ ㄀㔀㔀㜀Ⰰ 㔀㠀Ⰰ 㘀　Ⰰ 㘀㜀Ⰰ 嘀攀渀攀稀椀愀 ⼀⼀⼀ 㰀䈀㸀䰀椀戀⸀ 嘀䤀䤀㰀⼀䈀㸀 ⠀䄀挀挀椀搀攀渀琀椀⤀Ⰰ ㄀㔀㔀㜀Ⰰ 䘀爀愀渀欀昀甀爀琀 ⼀ ㄀㔀㠀㐀Ⰰ ㄀㘀　　Ⰰ 嘀攀渀攀稀椀愀 ⼀⼀⼀ 㰀䈀㸀䔀搀⸀ 䌀漀洀瀀氀攀琀漀㰀⼀䈀㸀 ⠀䤀ⴀ嘀⤀Ⰰ ㄀㔀㘀㘀Ⰰ 嘀攀渀攀稀椀愀 ⼀⼀⼀ 㰀䈀㸀䔀搀⸀ 䌀漀洀瀀氀攀琀漀 ⠀䤀ⴀ嘀䤀䤀Ⰰ 攀挀挀攀琀漀 嘀䤀 ⴀ 䐀攀氀氀愀 䠀愀戀椀琀愀琀椀漀渀攀⤀㰀⼀䈀㸀㰀Ⰰ ㄀㔀㠀㐀Ⰰ ㄀㘀　　Ⰰ ㄀㘀㄀㠀Ⰰ ㄀㘀㄀㤀Ⰰ 嘀攀渀攀稀椀愀 ⼀ ㄀㘀㐀㔀Ⰰ 倀愀爀椀猀
※ Lib. VIII (Dell’ edilizia militare), non pubblicato਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀愀渀 䜀椀漀爀最椀漀 吀爀椀猀猀椀渀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⸀ 昀爀愀洀洀攀渀琀漀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀 挀漀氀猀瀀愀渀㴀㐀㸀⠀ﰰ�朰ᰰ䄠挀挀愀搀攀洀椀愀 搀攀氀氀愀 嘀椀爀琀☀甀最爀愀瘀攀㬀ᴀ倠ၽɢ꘰ꌰ젰꘰ꌰ꘰뤰אּ㍿銊İ㭏ɵⴰ썎멟楎潲‰䌀氀愀甀搀椀漀 吀漀氀漀洀攀椀Ⰰ ㄀㐀㤀㈀ⴀ㄀㔀㔀㔀⼀㜀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㐀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀甀最氀椀攀氀洀椀 倀栀椀氀愀渀搀爀椀 䌀愀猀琀椀氀椀漀渀椀椀Ⰰ 䜀愀氀氀椀Ⰰ 挀椀瘀椀猀 爀漀嬀洀愀渀椀崀 椀渀 搀攀挀攀洀 libros M. Vitruvii Pollionis de architectura (solo testo)਀  㰀琀搀㸀匀琀爀愀猀戀漀甀爀最㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㐀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䔀甀挀氀椀搀攀⸀⸀⸀ 䔀氀攀洀攀渀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㐀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀儀甀攀猀琀椀 攀 椀渀瘀攀渀琀椀漀渀椀 搀椀瘀攀爀猀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㐀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀愀 䌀漀氀琀椀瘀愀稀椀漀渀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㔀㘀Ⰰ 嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㐀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀攀琀琀攀 氀攀琀琀爀攀 椀渀 挀甀椀 氀ᤀ†愀甀琀漀爀攀 搀椀洀漀猀琀爀愀 焀甀攀氀 瘀椀愀 搀攀瘀爀攀戀戀攀猀椀 tenere per illustrare i libri di Vitruvio਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀攀愀渀 䴀愀爀琀椀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀椀氀氀甀猀琀爀☀攀愀挀甀琀攀㬀攀 瀀愀爀 䨀攀愀渀 䜀漀甀樀漀渀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㐀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀唀渀琀攀爀爀椀挀栀琀甀渀最 稀甀 爀攀挀栀琀攀渀 嘀攀爀猀琀愀渀搀 搀攀爀 䰀攀栀爀 嘀椀琀爀甀瘀椀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㔀㠀Ⰰ 一☀甀甀洀氀㬀爀渀戀攀爀最 ⼀ ㄀㔀㠀㈀Ⰰ 䈀愀猀攀氀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㐀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀椀琀爀甀瘀椀甀猀 吀攀甀琀猀挀栀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㔀㠀Ⰰ 一☀甀甀洀氀㬀爀渀戀攀爀最 ⼀ ㄀㔀㠀㈀Ⰰ 㠀㔀Ⰰ ㄀㘀㄀㐀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㔀　ⴀ㘀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀爀愀搀甀挀椀☀漀愀挀甀琀攀㬀渀 搀攀 氀漀猀 䐀椀攀稀 氀椀戀爀漀猀 搀攀 䄀爀焀甀椀琀攀挀琀甀爀愀 搀攀 嘀椀琀爀甀戀椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㔀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀儀甀椀渀焀甀攀 挀漀氀甀洀渀愀爀甀洀 攀砀愀挀琀愀 搀攀猀挀爀椀瀀琀椀漀⸀⸀⸀ 攀挀挀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䔀搀⸀ 㰀䤀㸀䜀攀爀洀⸀㰀⼀䤀㸀 ⠀嘀漀渀 搀攀渀 昀☀甀甀洀氀㬀渀昀昀 匀☀甀甀洀氀㬀氀攀渀⸀⸀⸀⤀Ⰰ 娀☀甀甀洀氀㬀爀椀挀栀Ⰰ ㄀㔀㔀㐀 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀䔀渀最⸀㰀⼀䤀㸀Ⰰ 䰀漀渀搀漀渀Ⰰ ㄀㘀　㠀Ⰰ ㌀㔀Ⰰ 㘀　Ⰰ 㘀㠀 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀伀氀愀渀搀⸀㰀⼀䤀㸀Ⰰ 䄀渀琀眀攀爀瀀攀渀Ⰰ ㄀㔀㜀㈀Ⰰ ㄀㘀㐀㈀ ⼀ 䄀洀猀琀攀爀搀愀洀Ⰰ ㄀㔀㤀㠀Ⰰ ㄀㘀㄀　Ⰰ ㄀㘀Ⰰ ㄀㜀Ⰰ ㈀㌀ ⼀⼀ 䔀搀⸀ 㰀䤀㸀䘀爀⸀㰀⼀䤀㸀Ⰰ 䰀礀漀渀Ⰰ ㄀㔀㘀㈀Ⰰ ㄀㘀㌀㐀Ⰰ 㐀㜀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㔀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀 瘀椀琀攀 搀攀椀 瀀椀☀甀最爀愀瘀攀㬀 攀挀挀攀氀氀攀渀琀椀 瀀椀琀琀漀爀椀Ⰰ 猀挀甀氀琀漀爀椀 攀搀 愀爀挀栀椀琀攀琀琀椀 scritte da Giorgio Vasari pittore Aretino਀  㰀琀搀㸀䘀椀爀攀渀稀攀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀⸀ 吀栀攀爀椀挀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀椀爀爀漀 䰀椀最漀爀椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㔀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀ᤀ†愀渀琀椀挀栀椀琀☀愀最爀愀瘀攀㬀 搀椀 刀漀洀愀 爀愀挀挀漀氀琀愀 戀爀攀瘀攀洀攀渀琀攀 搀愀最氀椀 愀甀琀漀爀椀 愀渀琀椀挀栀椀 攀 moderni਀  㰀琀搀㸀刀漀洀愀 ☀愀洀瀀㬀 嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀氀瘀椀猀攀 䌀漀爀渀愀爀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀搀爀攀愀 倀愀氀氀愀搀椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀椀攀琀爀漀 䌀愀琀琀愀渀攀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀愀渀椀攀氀攀 䈀愀爀戀愀爀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㘀㜀 ⠀挀漀渀 攀搀⸀ 䰀愀琀⸀Ⰰ 䴀⸀ 嘀椀琀爀甀瘀椀 倀漀氀椀漀渀椀猀 搀攀 䄀爀挀栀椀琀攀挀琀甀爀愀 氀椀戀爀椀 Decem com commentariis...), Venezia // ed. facsimile (it.), 1987, Milano (a cura di M. Tafuri, Ed. il Polifilo)਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀⸀ 䈀⸀ 䈀攀爀琀愀渀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀愀渀琀漀瘀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀⸀ 䌀漀洀洀愀渀搀椀渀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀伀⥏㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀氀瘀椀猀攀 䌀漀爀渀愀爀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㤀㄀Ⰰ 䐀椀猀挀漀爀猀椀 搀攀氀氀愀 嘀椀琀愀 匀漀戀爀椀愀 搀攀氀 匀椀最⸀ 䰀甀椀最椀 䌀漀爀渀愀爀漀⸀ 一攀ᤀ quali con esempio di se stesso dimostra con quai mezi possa l’ huomo਀  挀漀渀猀攀爀瘀愀爀猀椀 猀愀渀漀 椀渀猀椀渀ᤀ†愀氀氀ᤀ†甀氀琀椀洀愀 瘀攀挀挀栀椀攀稀稀愀⸀ 倀愀搀漀瘀愀 ⼀⼀ ㄀㔀㤀㤀Ⰰ ㄀㘀㈀　Ⰰ ㌀　 㘀㈀Ⰰ 㘀㘀Ⰰ 㜀㜀Ⰰ 攀挀挀⸀Ⰰ嘀攀渀攀稀椀愀 ⼀ ㄀㘀㄀㘀Ⰰ 刀漀洀愀 ⼀ ㄀㘀㄀㜀Ⰰ Milano / 1646, Paris // in Scritti sulla Vita Sobria (a cura di M. Milani), Venezia 1983਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀⥖㰀⼀琀搀㸀 ਀  㰀琀搀㸀唀⸀ 䄀氀搀爀漀瘀愀渀搀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㔀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀爀攀洀椀攀爀 氀椀瘀爀攀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 挀漀渀琀攀渀愀渀琀 氀攀猀 瀀氀愀渀猀 攀琀 搀攀猀 猀椀渀最猀 de cinquante bastiments਀  㰀琀搀㸀伀爀氀☀攀愀挀甀琀攀㬀愀渀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀㸀伀爀氀☀攀愀挀甀琀攀㬀愀渀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀촀⦎㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀⸀ 搀攀 䴀愀爀挀栀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀愀爀琀漀氀漀洀攀漀 吀愀攀最椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀椀氀愀渀漀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀攀愀渀 䌀漀甀猀椀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀栀椀氀椀戀攀爀琀 搀攀 氀ᤀ†伀爀洀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀⸀ 䈀愀爀漀稀稀椀 搀愀 嘀椀最渀漀氀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀漀栀渀 匀栀甀琀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀Ⰰ⥮㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀⸀ 䈀愀爀琀漀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㠀㤀Ⰰ 嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㘀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀攀椀最氀攀 最☀攀愀挀甀琀攀㬀渀☀攀愀挀甀琀攀㬀爀愀氀攀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 搀攀猀 挀椀渀焀 洀愀渀椀☀攀最爀愀瘀攀㬀爀攀 搀攀猀 挀漀氀漀渀渀攀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㔀㘀㠀Ⰰ ㄀㘀㄀㤀Ⰰ 㐀㜀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㘀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀猀 䌀椀爀欀攀猀 甀渀 刀椀挀栀琀猀栀攀礀琀猀Ⰰ 愀甀挀栀 搀攀爀 倀攀爀猀瀀攀欀琀椀瘀愀 甀渀搀 倀爀漀瀀漀爀琀椀漀渀 der Menschen und Rosse…਀  㰀琀搀㸀䘀爀愀渀欀昀甀爀琀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䠀愀渀猀 嘀爀攀搀攀洀愀渀 搀攀 嘀爀椀攀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀琀眀攀爀瀀攀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀Ⰰ⥮㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀椀氀瘀椀漀 䈀攀氀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀씀⦈㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀愀挀焀甀攀猀 ㄀☀漀爀搀洀㬀 䄀渀搀爀漀甀攀琀 䐀甀 䌀攀爀挀攀愀甀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀甀氀椀攀渀 䴀愀甀挀氀攀爀挀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䠀愀渀猀 䰀攀渀挀欀攀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀一☀甀甀洀氀㬀爀渀戀攀爀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀퐀⥫㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀椀渀挀攀渀稀漀 䐀愀渀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀椀渀 㰀䌀䤀吀䔀㸀吀爀愀琀琀愀琀椀 搀ᤀ†䄀爀琀攀 搀攀氀 䌀椀渀焀甀攀挀攀渀琀漀㰀⼀䌀䤀吀䔀㸀 ⠀愀 挀甀爀愀 搀椀 倀⸀ 䈀愀爀漀挀挀栀椀⤀Ⰰ 瘀漀氀⸀ 䤀Ⰰ 䈀愀爀椀 ㄀㤀㘀　㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㘀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀 瀀爀攀洀椀攀爀 琀漀洀攀 搀攀 氀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 搀攀 倀栀椀氀椀戀攀爀琀 搀攀 氀ᤀ†伀爀洀攀Ⰰ conseiller et anmônier ordinaire du roy, abbé de S. Serge lez Angiers਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀ࠀ῿ॗ㳿⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀甀猀攀瀀瀀攀 䌀攀爀攀搀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㘀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀琀椀猀 倀攀爀猀瀀攀挀琀椀瘀愀攀 瀀氀甀爀椀甀洀 最攀渀攀爀甀洀 攀氀攀最愀渀琀椀猀猀椀洀攀 昀漀爀洀甀氀愀攀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀　㐀Ⰰ 䐀攀渀 䠀愀愀最 ⼀ ㄀㘀㌀㌀Ⰰ 䄀洀猀琀攀爀搀愀洀 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀䘀爀⸀㰀⼀䤀㸀Ⰰ 䰀攀椀搀攀渀 Ⰰ ㄀㘀　㐀 ⼀ 琀爀愀搀⸀ 㰀䤀㸀䜀攀爀洀⸀㰀⼀䤀㸀Ⰰ 䄀洀猀琀攀爀搀愀洀Ⰰ ㄀㘀㈀㠀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㘀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀攀爀猀瀀攀挀琀椀瘀攀 挀漀爀瀀漀爀甀洀 爀攀最甀氀愀爀椀甀洀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㘀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀愀 瀀爀愀琀椀挀愀 搀攀氀氀愀 瀀爀漀猀瀀攀琀琀椀瘀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㘀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀椀瘀爀攀猀 搀攀猀 椀渀猀琀爀甀洀攀渀琀猀 洀愀琀栀☀攀愀挀甀琀攀㬀洀愀琀椀焀甀攀猀 攀琀 洀☀攀愀挀甀琀攀㬀挀愀渀椀焀甀攀猀 ⠀椀氀氀甀猀琀⸀ Jacques 1º Du Cerceau)਀  㰀琀搀㸀伀爀氀☀攀愀挀甀琀攀㬀愀渀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀搀爀攀愀 倀愀氀氀愀搀椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀縀⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䠀⸀ 䈀椀氀氀椀渀最猀氀攀礀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀⥖㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀愀渀 嘀攀爀 䴀攀甀氀攀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀甀瘀攀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀氀 䠀愀稀攀渀Ⰰ 䄀戀甀 愀氀椀 䤀戀渀 ⠀愀氀ⴀ 䠀愀椀琀栀愀洀⤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀愀猀攀氀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀愀爀琀椀渀漀 䈀愀猀猀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀爀攀猀挀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀⸀ 䌀氀攀洀攀渀琀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㜀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀愀 瀀爀漀猀瀀攀琀琀椀瘀愀 搀椀 䔀甀挀氀椀搀攀⸀⸀⸀ 椀渀猀椀攀洀攀 挀漀渀 氀愀 瀀爀漀猀瀀攀琀琀椀瘀愀 搀椀 Eliodoro Larisso਀  㰀琀搀㸀䘀椀爀攀渀稀攀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀퐀⥫㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀椀氀椀瘀椀漀 䈀攀氀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀愀挀焀甀攀猀 ㄀☀漀爀搀洀㬀 䄀渀搀爀漀甀攀琀 䐀甀 䌀攀爀挀攀愀甀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀⥖㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀愀爀氀漀 䈀漀爀爀漀洀攀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀开⥪㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀愀挀焀甀攀猀 䈀攀猀猀漀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀礀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀甀⥽㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀爀椀猀琀漀昀漀爀漀 匀漀爀琀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀Ⰰ⥮㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀氀攀砀愀渀搀爀攀 䜀甀椀戀攀爀琀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㠀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀挀栀椀琀攀挀琀甀爀愀 漀搀攀爀 䈀愀甀甀渀最 搀攀爀 䄀渀琀椀焀甀攀渀 愀甀猀猀 搀攀洀 嘀椀琀爀甀瘀椀甀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㠀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀氀氀ᤀ愠爀挀栀椀琀攀琀琀甀爀愀 氀椀戀爀漀 嘀⸀ 搀漀瘀攀 猀椀 琀爀愀琀琀愀 搀攀 氀攀 氀攀最椀 愀 氀ᤀ†愀爀挀栀椀琀攀琀琀甀爀愀 渀攀挀攀猀猀愀爀椀攀 secondo la mente di Vitruvio ਀  㰀琀搀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀愀挀焀甀攀猀 ㄀☀漀爀搀洀㬀 䄀渀搀爀漀甀攀琀 䐀甀 䌀攀爀挀攀愀甀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䠀愀渀猀 嘀爀攀搀⸀ 䘀爀椀猀椀漀 ⠀䨀愀渀 嘀爀攀搀攀洀愀渀 搀攀 嘀爀椀攀猀⤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㠀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀 搀甀攀 爀攀最漀氀攀 搀攀氀氀攀 瀀爀漀猀瀀攀琀琀椀瘀愀⸀⸀⸀ 瀀爀愀琀椀挀愀 挀漀渀 䤀 挀漀洀洀攀渀琀愀爀樀 搀攀氀 R. P. M. Egnazio Danti਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀⥖㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀愀渀 倀愀漀氀漀 䰀漀洀愀稀稀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀椀氀愀渀漀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀॑㳿⼀琀搀㸀 ਀  㰀琀搀㸀䨀甀愀渀 搀攀 䄀爀瀀栀攀 礀 嘀椀氀愀昀愀☀渀琀椀氀搀攀㬀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀攀瘀椀氀氀愀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㠀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀最氀椀 愀甀琀漀洀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㤀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀氀氀ᤀ†愀爀挀栀椀琀攀琀琀甀爀愀 猀攀挀漀渀搀漀 椀 瀀爀攀挀攀琀琀椀 搀攀氀 嘀椀琀爀甀瘀椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㘀　Ⰰ 嘀攀渀攀稀椀愀 ⼀⼀ 攀搀⸀ 昀愀挀猀椀洀椀氀攀Ⰰ 䜀爀攀最最 倀爀攀猀猀Ⰰ ㄀㤀㘀㠀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㤀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀氀氀愀 琀爀愀猀瀀漀爀琀愀琀椀漀渀攀 搀攀氀氀ᤀ†漀戀攀氀椀猀挀漀 嘀愀琀椀挀愀渀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㤀　 挀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀椀琀琀☀愀最爀愀瘀攀㬀 椀搀攀愀氀攀 㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㤀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀 愀爀挀栀椀琀攀挀琀甀爀愀 琀爀愀挀琀愀琀甀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀　㌀Ⰰ 嘀攀渀攀稀椀愀 ⼀ ㄀㘀　㜀 䬀☀漀甀洀氀㬀氀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㤀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䤀挀漀渀漀氀漀最椀愀Ⰰ 漀瘀瘀攀爀漀 搀攀猀挀爀椀琀椀漀渀攀 搀攀氀氀ᤀ†䤀洀愀最椀渀椀 甀渀椀瘀攀爀猀愀氀椀☀⸠㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀　㌀Ⰰ 刀漀洀愀 ⼀ ㄀㘀㄀㄀Ⰰ ㄀㠀Ⰰ ㈀㐀ⴀ㈀㔀Ⰰ ㌀　Ⰰ 倀愀搀漀瘀愀 ⼀ ㄀㘀㄀㌀Ⰰ 匀椀攀渀愀 ⼀ ㄀㘀㐀㘀Ⰰ 69, Venezia / 1764, Perugia // trad. Germ., 1670, Amsterdam / trad. Fr., 1644, 81, Paris ; 1698, Amsterdam਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀爀攀渀稀漀 匀椀爀椀最愀琀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀촀⦎㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀甀漀渀愀椀甀琀漀 䰀漀爀椀渀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ﴀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀漀爀最椀漀 嘀愀猀愀爀椀 椀氀 䜀椀漀瘀愀渀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀圀攀渀搀攀氀 䐀椀攀琀琀攀爀氀椀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㘀㔀Ⰰ 一☀甀甀洀氀㬀爀渀戀攀爀最 ⼀ ㄀㠀㘀　Ⰰ 䰀椀攀最攀 ⼀⼀ 攀搀⸀ 昀愀挀猀椀洀椀氀攀Ⰰ ㄀㤀㠀㌀Ⰰ 䈀爀愀甀渀猀挀栀眀攀椀最 ☀愀洀瀀㬀 圀椀攀猀戀愀搀攀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㤀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀一甀漀瘀攀 椀渀瘀攀渀稀椀漀渀椀 搀椀 昀愀戀戀爀椀挀愀爀 昀漀爀琀攀稀稀攀 搀椀 瘀愀爀椀攀 昀漀爀洀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㤀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀氀氀愀 䄀爀挀栀椀琀攀琀琀甀爀愀 䴀椀氀椀琀愀爀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㠀㄀　Ⰰ 刀漀洀愀 ⠀䄀爀挀栀椀琀攀琀琀甀爀愀 洀椀氀椀琀愀爀攀 椀氀氀甀猀琀爀愀琀愀 搀愀 䰀甀椀最椀 䴀愀爀椀渀椀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㔀㤀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀攀漀洀攀琀爀椀愀 瀀爀愀琀椀挀愀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀　㌀Ⰰ ㈀㌀Ⰰ ㈀㐀Ⰰ ㈀㠀Ⰰ 㘀㜀Ⰰ 㜀㜀Ⰰ 㤀㄀Ⰰ ㄀㜀㜀㈀Ⰰ 刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀　　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀甀椀搀甀戀愀氀搀椀 䔀ᤀ†䴀愀爀挀栀椀漀渀椀戀甀猀 䴀漀渀琀椀猀 倀攀爀猀瀀攀挀琀椀瘀愀攀 䰀椀戀爀椀 匀攀砀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀　㐀⼀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀攀爀猀瀀攀挀琀椀瘀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀 ☀渀戀猀瀀㬀 攀搀⸀ 昀愀挀猀椀洀椀氀攀Ⰰ 䐀漀瘀攀爀 Publication, 1968 (ed. by A Placzek)਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀最漀猀琀椀渀漀 䜀愀氀氀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀瀀ﭥ촰⦎㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀愀氀椀氀攀漀 䜀愀氀椀氀攀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀搀漀瘀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀⥖㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀攀搀攀爀椀最漀 娀甀挀挀愀爀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀漀爀椀渀漀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀漀瘀愀渀渀椀 䈀⸀ 䴀漀渀琀愀渀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀爀攀渀稀漀 匀愀渀 一椀挀漀氀愀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀愀搀爀椀搀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀愀氀漀洀漀渀 搀攀 䌀愀甀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀⸀ 搀攀 䄀最甀椀氀漀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀琀眀攀爀瀀攀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀椀渀挀攀渀稀漀 匀挀愀洀漀稀稀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀开⥪㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀愀氀漀洀漀渀 搀攀 䌀愀甀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㈀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀瘀瘀攀爀琀椀洀攀渀琀椀 攀 爀攀最漀氀攀 挀椀爀挀愀 氀ᤀ†愀爀挀栀椀琀攀琀琀甀爀愀 挀椀瘀椀氀攀Ⰰ 匀挀甀氀琀甀爀愀Ⰰ Pittura , Prospettiva e Architettura militare per offesa & difesa di਀  昀漀爀琀攀稀稀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㈀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀愀渀椀☀攀最爀愀瘀攀㬀爀攀 搀攀 戀椀攀渀 戀愀猀琀椀爀 瀀漀甀爀 琀漀甀琀攀猀 猀漀爀琀攀猀 搀攀 瀀攀爀猀漀渀渀攀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㐀㜀Ⰰ 㔀㐀Ⰰ 㠀㄀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㈀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀挀栀椀琀攀挀琀甀爀攀 䘀爀愀渀☀挀挀攀搀椀氀㬀漀椀猀攀 搀攀猀 䈀愀猀琀椀洀攀渀琀猀 瀀愀爀琀椀挀甀氀椀攀爀猀 ⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㠀㔀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㈀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀 攀氀攀洀攀渀琀猀 漀昀 愀爀挀栀椀琀攀挀琀甀爀攀⸀⸀⸀ 昀爀漀洀 琀栀攀 戀攀猀琀 愀甀琀栀漀爀猀 愀渀搀 examples਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀椀攀琀爀漀 䄀挀挀漀氀琀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㈀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀伀昀 䜀愀爀搀攀渀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㈀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䤀渀猀琀爀甀挀琀椀漀渀 攀渀 氀愀 猀挀椀攀渀挀攀 搀攀猀 瀀攀爀猀瀀攀挀琀椀瘀攀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㈀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀挀栀椀猀攀猀琀漀 瀀攀爀 昀漀爀洀愀爀 挀漀渀 昀愀挀椀氀椀琀☀愀最爀愀瘀攀㬀 氀椀 挀椀渀焀甀攀 漀爀搀椀渀椀 搀ᤀ architettura, con altri particolari intorno la medesima Professione਀  㰀琀搀㸀嘀椀挀攀渀稀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀甀搀漀瘀椀挀漀 䌀愀爀搀椀 搀攀琀琀漀 椀氀 䌀椀最漀氀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀∀洀猀漀ⴀ猀瀀愀挀攀爀甀渀㨀 礀攀猀∀㸀☀渀戀猀瀀㬀㰀⼀猀瀀愀渀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀漀猀攀昀 䘀甀爀琀琀攀渀戀愀挀栀㰀⼀琀搀㸀 ਀  㰀琀搀㸀唀氀洀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀漀猀攀昀昀椀 娀愀渀椀渀椀 嘀椀漀氀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀搀漀瘀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀漀瘀愀渀渀椀 䈀爀愀渀挀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㄀㠀Ⰰ 㔀㜀Ⰰ 㜀㈀Ⰰ 㠀㄀Ⰰ 㠀㐀Ⰰ 㠀㘀Ⰰ 刀漀洀愀 ⼀ ㄀㜀㠀㤀Ⰰ 䴀漀搀攀渀愀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㈀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀椀猀猀攀爀琀愀琀椀漀 瀀爀漀戀愀渀猀 愀爀挀栀椀琀攀挀琀甀爀愀洀 ⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㌀㤀Ⰰ 䴀椀氀愀渀漀 ⠀䐀攀 䄀爀挀栀椀琀攀挀琀甀爀攀 攀琀 䄀最爀椀洀攀渀猀甀爀愀攀 渀漀戀椀氀椀琀愀琀攀⸀⸀⸀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㌀㈀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀☀攀最爀愀瘀攀㬀最氀攀猀 搀攀猀 挀椀渀焀 漀爀搀爀攀猀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 搀攀 嘀椀最渀漀氀攀Ⰰ 爀攀瘀甀攀猀 augmentées et réduites du grand au petit octave਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀愀洀甀攀氀攀 䴀愀爀漀氀漀椀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀洀猀琀攀爀搀愀洀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀⸀ 匀琀攀瘀椀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀椀搀攀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀蜀⥒㰀⼀琀搀㸀 ਀  㰀琀搀㸀一椀挀漀氀愀 匀愀戀戀愀琀椀渀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀攀猀愀爀漀 ☀愀洀瀀㬀 刀愀瘀攀渀渀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀⸀ⴀ䘀⸀ 一椀挀攀爀漀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㔀㈀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㌀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀氀漀爀愀 漀瘀攀爀漀 䌀甀氀琀甀爀愀 搀椀 昀椀漀爀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㌀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀 吀爀愀椀琀☀攀愀挀甀琀攀㬀 搀甀 䨀愀爀搀椀渀愀最攀 猀攀氀漀渀 氀攀猀 爀愀椀猀漀渀猀 搀攀 氀愀 渀愀琀甀爀攀 攀琀 搀攀 氀ᤀ art਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀촀⦎㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀甀猀攀瀀瀀攀 䈀愀爀挀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀椀氀愀渀漀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀最漀猀琀椀渀椀愀渀漀 匀挀愀氀稀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀愀搀爀椀搀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀漀猀椀洀漀 一漀昀攀爀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀蜀⥒㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀漀猀攀昀 䘀甀爀琀琀攀渀戀愀挀栀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀甀最猀戀甀爀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀攀漀昀椀氀漀 䜀愀氀氀愀挀椀渀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀∀洀猀漀ⴀ猀瀀愀挀攀爀甀渀㨀 礀攀猀∀㸀☀渀戀猀瀀㬀㰀⼀猀瀀愀渀㸀⠀洀猀⸀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀愀爀氀漀 䌀攀猀愀爀攀 伀猀椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㘀㄀Ⰰ 㠀㘀Ⰰ 䴀椀氀愀渀漀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㐀㈀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀 猀攀挀爀攀琀 搀ᤀ†䄀爀挀栀椀琀攀挀琀甀爀攀Ⰰ ☀愀洀瀀㬀 搀攀猀 琀爀愀椀琀攀猀 䜀攀漀洀攀琀爀椀焀甀攀猀Ⰰ coupes, & de robemens dans les Batimens਀  㰀琀搀㸀⠀椀最渀漀琀漀 氀甀漀最漀⤀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀攀愀渀 䐀甀戀爀甀攀椀氀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀촀⦎㰀⼀琀搀㸀 ਀  㰀琀搀㸀一椀欀漀氀愀甀猀 䜀漀氀搀洀愀渀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀椀搀攀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㐀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀一漀甀瘀攀氀氀攀猀 椀渀瘀攀渀琀椀漀渀猀 搀攀 氀攀瘀攀爀 氀ᤀ†攀愀甀 瀀氀甀猀 栀愀甀琀 焀甀攀 猀愀 猀漀甀爀挀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㐀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀瀀瀀愀爀愀琀椀 猀挀攀渀椀挀椀 瀀攀爀 氀漀 吀攀愀琀爀漀 一漀瘀椀猀猀椀洀漀 搀椀 嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㐀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀☀攀最爀愀瘀攀㬀最氀攀猀 搀攀猀 挀椀渀焀 漀爀搀爀攀猀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 搀漀渀琀 猀攀 猀漀渀琀 猀攀爀瘀椀 氀攀猀 Anciens, traduit de Palladio਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀琀栀愀渀愀猀椀甀猀 䬀椀爀挀栀攀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀⸀ⴀ䘀⸀ 一椀挀攀爀漀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㘀㌀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㐀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀愀洀甀攀氀椀猀 䴀愀爀漀氀漀椀猀 䴀愀琀栀攀洀愀琀椀挀漀爀甀洀 猀甀椀 琀攀洀瀀漀爀椀猀 昀愀挀椀氀攀 倀爀椀渀挀椀瀀椀猀 Mathematicum opus absolutissimum continens Geometriae, Fortificationis,਀  䄀爀挀栀椀琀攀挀琀甀爀愀攀Ⰰ 攀琀 倀攀爀猀瀀攀挀琀椀瘀愀攀 琀栀攀漀爀椀挀愀攀Ⰰ 愀挀 瀀爀愀挀琀椀挀愀攀 爀攀最甀氀愀猀Ⰰ domonstrationes, & figuras perfectissimas: Opera Alberti Guraldi਀  䴀愀琀栀攀洀愀琀椀挀椀 挀氀⸀ 爀攀挀漀最渀椀琀甀洀Ⰰ 愀挀 洀甀氀琀椀猀 渀漀琀椀猀 椀氀氀甀猀琀爀愀琀甀洀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㐀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀漀愀渀渀椀猀 嘀爀攀搀攀洀愀渀渀椀 䘀爀椀猀椀椀 猀☀愀攀氀椀最㬀挀爀椀 昀愀挀椀氀攀 倀爀椀渀挀椀瀀椀猀 䄀爀挀栀椀琀攀挀琀甀爀愀Ⰰ contiens quinque ornamenta Architecturæ, scilicet Atticum, Jonicum, doricum, Corinthium, & Compositum. Item regulas, demonstationes, ac figuras਀  瀀攀爀昀攀挀琀椀猀猀椀洀愀猀⸀ 伀瀀甀猀 䴀愀琀栀攀洀愀琀椀挀椀猀Ⰰ 䄀爀挀栀椀琀攀挀琀椀猀Ⰰ 倀椀挀琀漀爀椀戀甀猀Ⰰ 愀挀 䰀愀瀀椀挀椀搀椀猀 perutile, ac necessarium. Studio, atque opera summi mathematici Samuelis਀  䴀愀爀漀氀漀椀猀 爀攀挀漀最渀椀琀甀洀Ⰰ 愀琀焀甀攀 椀氀氀甀猀琀爀愀琀甀洀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㐀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀爀愀椀琀☀攀愀挀甀琀攀㬀 搀ᤀ†䄀爀挀栀椀琀攀挀琀甀爀攀 猀甀椀瘀愀渀琀 嘀椀琀爀甀瘀攀Ⰰ 漀甀 椀氀 攀猀琀 琀爀愀椀琀☀攀愀挀甀琀攀㬀 搀攀猀 cinq ordres &c.਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀戀爀愀栀愀洀 䈀漀猀猀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㐀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀爀愀琀琀愀琀漀 搀椀 甀渀 漀爀漀氀漀最椀漀 椀搀爀愀甀氀椀挀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㔀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀愀氀氀☀攀最爀愀瘀攀㬀氀攀 搀攀 氀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 愀渀琀椀焀甀攀 愀瘀攀挀 氀愀 洀漀搀攀爀渀攀Ⰰ 愀瘀攀挀 甀渀 recuil des dix principaux autheurs qui ont écrit des cinq Ordres, sçavoir Palladio et Scamozzi, Serlio et Vignola, D. Barbaro et Cataneo, L. B. Alberti et Viola, Bullant et De Lorme comparez entre eux਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀搀爀☀攀愀挀甀琀攀㬀 䴀漀氀氀攀琀㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀琀漀挀欀栀漀氀洀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀伀⸀ 搀攀 匀攀爀爀攀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀攀渀☀攀最爀愀瘀攀㬀瘀攀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀氀愀甀搀攀 䴀漀氀氀攀琀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀Ⰰ⥮㰀⼀琀搀㸀 ਀  㰀琀搀㸀圀椀氀氀椀愀洀 䰀攀礀戀漀甀爀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀愀栀愀洀 䈀漀猀猀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀攀戀爀愀甀挀栀 搀攀栀爀 䈀愀甀猀琀☀愀甀洀氀㬀戀攀 搀甀爀挀栀 搀攀栀爀攀爀 栀☀甀甀洀氀㬀氀昀昀攀 搀椀攀 䘀☀甀甀洀氀㬀渀昀昀 伀爀搀渀甀渀最攀渀 搀攀爀 䈀愀甀 䬀甀渀猀琀 愀甀昀猀 愀氀氀攀爀 氀攀椀挀栀琀攀猀琀攀 ⸀⸀⸀ 愀戀最攀戀椀氀搀攀琀 眀攀爀搀攀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀挀栀椀琀攀琀琀甀爀愀 挀椀瘀椀氀攀 搀攀洀漀渀猀琀爀愀琀椀瘀愀洀攀渀琀攀 瀀爀漀瀀漀爀琀椀漀渀愀琀愀Ⰰ ☀愀洀瀀㬀 accresciuta di nuove regole, con l’ uso delle quali si facilita l’ inventione਀  搀ᤀ†漀最渀椀 搀漀瘀甀琀愀 瀀爀漀瀀漀爀琀椀漀渀攀 渀攀氀氀椀 挀椀渀焀甀攀 伀爀搀椀渀椀Ⰰ ⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㈀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀愀琀爀甀洀 洀愀挀栀椀渀愀爀甀洀 渀漀瘀甀洀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀洀漀攀渀椀琀愀琀攀猀 栀礀搀爀漀氀漀最椀挀愀攀 猀椀瘀攀 愀爀挀栀椀琀攀挀琀甀爀愀 挀甀爀椀漀猀愀 渀漀瘀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀琀 漀昀 猀甀爀瘀攀礀椀渀最㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀琀 搀攀 昀漀爀琀椀昀椀挀愀琀椀漀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀 䴀椀爀爀漀爀 漀昀 䄀爀挀栀椀琀攀挀琀甀爀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀爀愀椀琀☀攀愀挀甀琀攀㬀 搀攀 䜀攀漀洀☀攀愀挀甀琀攀㬀琀爀椀攀 琀栀☀攀愀挀甀琀攀㬀漀爀椀焀甀攀 攀琀 瀀爀愀琀椀焀甀攀猀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㠀㌀Ⰰ ㄀㜀㐀㔀Ⰰ 㘀㐀Ⰰ 㜀㐀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㘀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀猀 瀀爀椀渀挀椀瀀攀猀 搀攀 氀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀Ⰰ 搀攀 氀愀 猀挀甀氀琀甀爀攀Ⰰ 搀攀 氀愀 瀀攀椀渀琀甀爀攀 et des autres arts qui en dépendent ...਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀攀愀渀 䰀愀甀琀攀渀戀愀挀栀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀洀猀琀攀爀搀愀洀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀椀洀漀渀 䈀漀猀戀漀漀洀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀洀猀琀攀爀搀愀洀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀﮐ蜰⥒㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀椀甀氀椀漀 吀爀漀椀氀椀Ⰰ 搀攀琀琀漀 椀氀 倀愀爀愀搀漀猀猀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㠀㌀Ⰰ 䈀漀氀漀最渀愀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀猀 搀椀砀 氀椀戀爀攀猀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 搀攀 嘀椀琀爀甀瘀攀 挀漀爀爀椀最攀稀 攀琀 琀爀愀搀甀椀琀猀 nouvellement en François avec des Notes et des Figures਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀퐀⥫㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀攀渀☀攀愀挀甀琀攀㬀 伀甀瘀爀愀爀搀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀攀猀漀氀甀琀椀漀渀猀 搀攀猀 焀甀愀琀爀攀 瀀爀椀渀挀椀瀀愀甀砀 瀀爀漀戀氀攀洀攀猀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀戀爀☀攀愀挀甀琀攀㬀最☀攀愀挀甀琀攀㬀 搀攀猀 䐀椀砀 䰀椀瘀爀攀猀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 搀攀 嘀椀琀爀甀瘀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀⸀ 倀⸀ 䌀氀愀甀搀椀椀 䘀爀愀渀挀椀猀挀椀 䴀椀氀氀椀攀琀 䐀攀挀栀愀氀氀攀猀 䌀愀洀戀攀爀椀攀渀猀椀猀 攀 Societate Jesu Cursus, seu Mundus Mathematicus universam Mathesim ...਀  㰀琀搀㸀䰀礀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀Ⰰ⥮㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀甀愀爀椀渀漀 䜀甀愀爀椀渀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀漀爀椀渀漀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀漀猀琀愀渀稀漀 䄀洀椀挀栀攀瘀漀氀椀 ⠀瀀猀攀甀搀漀渀椀洀漀 搀椀 䘀爀愀渀挀攀猀挀漀 䔀猀挀栀椀渀愀爀搀椀Ⰰ 1623-1703)਀  㰀琀搀㸀䄀爀挀栀椀琀攀琀琀甀爀愀 挀椀瘀椀氀攀 ☀渀戀猀瀀㬀 爀椀搀漀琀琀愀 愀 洀攀琀漀搀漀 昀愀挀椀氀攀 攀 戀爀攀瘀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㔀⼀㠀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀漀甀爀猀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 攀渀猀攀椀最渀☀攀愀挀甀琀攀㬀 搀愀渀猀 氀ᤀ†䄀挀愀搀攀洀椀攀 刀漀礀愀氀攀 搀攀 氀ᤀ architecture਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀촀⦎㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀甀愀爀椀渀漀 䜀甀愀爀椀渀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀漀爀椀渀漀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀氀愀甀搀攀 倀攀爀爀愀甀氀琀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀搀爀☀攀愀挀甀琀攀㬀 䘀☀攀愀挀甀琀攀㬀氀椀戀椀攀渀 搀攀猀 䄀瘀愀甀砀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㤀　Ⰰ 㤀㜀Ⰰ 㤀㤀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀爀愀琀琀愀琀漀 猀漀瀀爀愀 氀愀 猀琀爀甀琀琀甀爀愀 搀攀 琀栀攀愀琀爀椀Ⰰ 攀 猀挀攀渀攀Ⰰ 挀栀攀 愀 渀漀猀琀爀椀 giorni si cos- tumano, e delle regole par far quelli con proportione secondo਀  氀ᤀ†椀渀猀攀最渀愀洀攀渀琀漀 搀攀氀氀愀 瀀爀愀琀椀挀愀 洀愀攀猀琀爀愀 挀漀洀洀甀渀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀 愀爀琀 漀昀 瀀爀愀挀琀椀挀愀氀 洀攀愀猀甀爀椀渀最㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㈀㤀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀礀猀琀攀洀愀 䠀漀爀琀椀ⴀ挀甀氀琀甀爀愀攀㨀 漀爀 吀栀攀 䄀爀琀 漀昀 䜀愀爀搀攀渀椀渀最㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㠀㄀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀愀 渀甀漀瘀愀 䄀爀挀栀椀琀攀琀琀甀爀愀 昀愀洀椀氀椀愀爀攀 攀挀挀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䤀渀猀琀爀甀稀椀漀渀椀 愀爀挀栀椀琀攀琀琀漀渀椀挀栀攀 瀀爀愀琀椀挀栀攀 挀漀渀挀攀爀渀攀渀琀椀 氀攀 瀀愀爀琀椀 principali degli   edificii delle਀  挀愀猀攀 猀攀挀漀渀搀漀 氀愀 搀漀琀琀漀爀椀渀愀 搀椀 嘀攀琀爀甀瘀椀漀Ⰰ 攀 搀ᤀ†愀氀琀爀椀 䌀氀愀猀猀椀挀椀 愀甀琀漀爀椀Ⰰ 挀漀洀瀀攀渀搀椀愀琀攀 搀愀 䜀椀漀猀攀瀀瀀攀 䰀攀漀渀挀椀渀椀 䌀椀琀琀愀搀椀渀 䘀椀漀爀攀渀琀椀渀漀 愀 瀀爀☀漀最爀愀瘀攀㬀搀攀氀氀椀 猀琀甀搀攀渀琀椀 搀ᤀ䄠爀挀栀椀琀攀琀琀甀爀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㜀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀椀猀挀漀甀爀猀 猀甀爀 氀攀 瀀漀椀渀琀 搀攀 瘀甀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㄀㈀Ⰰ 倀愀爀椀猀 ⠀椀渀 匀礀猀琀☀攀最爀愀瘀攀㬀洀攀 搀攀 氀愀 瘀椀猀椀漀渀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㠀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀漀洀瀀攀渀搀椀漀 搀攀 䄀爀焀甀椀琀攀挀琀甀爀愀 礀 猀椀洀攀琀爀椀愀 搀攀 氀漀猀 琀攀洀瀀氀漀猀 㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㠀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀挀栀椀琀攀琀琀甀爀愀 洀椀氀椀琀愀爀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㠀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀愀 瀀爀漀猀瀀攀琀琀椀瘀愀 搀椀 䈀攀爀渀愀爀搀椀渀漀 䌀漀渀琀椀渀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㠀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀圀椀攀渀渀攀爀椀猀挀栀攀猀 䄀爀挀栀椀琀攀欀琀甀爀ⴀ䬀甀渀猀琀ⴀ甀渀搀 匀☀愀甀洀氀㬀甀氀攀渀戀甀挀栀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㄀㌀Ⰰ ㈀㈀Ⰰ 䄀甀最甀猀戀甀爀最㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㠀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀 洀攀渀猀甀爀椀猀 攀琀 瀀漀渀搀攀爀椀戀甀猀 愀渀琀椀焀甀椀猀 氀椀戀椀爀 琀爀攀猀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㠀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀爀愀椀琀☀攀愀挀甀琀攀㬀 搀攀 氀ᤀ†䄀爀挀栀椀琀攀挀琀甀爀攀 瀀愀爀 氀攀 匀椀攀甀爀 䌀愀琀栀攀爀椀渀漀琀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㠀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀唀琀爀椀猀焀甀攀 䄀爀挀栀椀琀攀挀琀甀爀愀攀 挀漀洀瀀攀渀搀椀甀洀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㠀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀愀渀椀☀攀最爀愀瘀攀㬀爀攀 搀攀 昀漀爀琀椀昀椀攀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㤀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀漀甀爀猀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀 焀甀椀 挀漀洀瀀爀攀渀搀 氀攀猀 漀爀搀爀攀猀 搀攀 嘀椀最渀漀氀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㘀㤀㌀ⴀ㤀㘀Ⰰ 倀愀爀椀猀 ⼀ ㄀㜀㌀㠀Ⰰ 㔀㘀Ⰰ 㘀　Ⰰ 倀愀爀椀猀 ⠀愀瘀攀挀 渀漀琀攀猀 搀攀 倀⸀ 䨀⸀ 䴀愀爀椀攀琀琀攀⤀ ⼀⼀ 䔀搀⸀ 㰀䤀㸀䜀攀爀洀⸀㰀⼀䤀㸀Ⰰ ㄀㜀㈀㔀Ⰰ 䄀甀最甀猀戀甀爀最 ⠀瘀漀渀 䰀⸀ 䌀栀爀⸀ 匀琀爀甀洀⤀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㤀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀挀栀椀琀攀挀琀甀爀攀 瀀爀愀琀椀焀甀攀Ⰰ 焀甀椀 挀漀洀瀀爀攀渀搀 氀愀 挀漀渀猀琀爀甀挀琀椀漀渀 最☀攀愀挀甀琀攀㬀渀☀攀愀挀甀琀攀㬀爀愀氀攀Ⰰ 攀琀 瀀愀爀琀椀挀甀氀椀攀爀攀 ☀渀戀猀瀀㬀 搀攀猀 䈀☀愀挀椀爀挀㬀琀椀洀攀渀猀 ⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㈀㈀Ⰰ 㐀㄀Ⰰ 㘀㈀Ⰰ 㘀㠀Ⰰ 㜀㔀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㤀㈀㰀⼀琀搀㸀 ਀  㰀琀搀㸀唀瀀漀渀 琀栀攀 䜀愀爀搀攀渀 漀昀 䔀瀀椀挀甀爀甀猀㨀 漀爀Ⰰ 伀昀 䜀愀爀搀攀渀椀渀最Ⰰ 椀渀 琀栀攀 礀攀愀爀 ㄀㘀㠀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㤀㌀ⴀ㄀㜀　㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀爀漀猀瀀攀琀琀椀瘀愀 搀攀ᤀ†瀀椀琀琀漀爀椀 攀 愀爀挀栀椀琀攀琀琀椀Ⰰ 刀漀洀愀 ⠀攀搀⸀ 䰀愀琀⸀Ⰰ 倀攀爀猀瀀攀挀琀椀瘀愀 倀椀挀琀漀爀甀洀 攀琀 ☀渀戀猀瀀㬀 䄀爀挀栀椀琀攀挀琀漀爀甀洀⤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀　　Ⰰ ㄀㜀Ⰰ ㈀㌀Ⰰ ㌀㜀Ⰰ 㘀㐀Ⰰ 㤀㠀Ⰰ 刀漀洀愀 ⼀䔀搀⸀ 䜀攀爀洀⸀Ⰰ ㄀㜀　㘀Ⰰ ㄀㤀Ⰰ 䄀甀最甀猀戀甀爀最㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀  㰀琀搀㸀䔀搀⸀ 䔀渀最⸀ ☀愀洀瀀㬀 䰀愀琀⸀⸀Ⰰ ㄀㜀　　Ⰰ 　㜀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㘀㤀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀☀攀愀挀甀琀攀㬀挀爀☀攀愀挀甀琀攀㬀愀琀椀漀渀椀猀 洀愀琀栀攀洀愀琀椀焀甀攀猀Ⰰ ☀愀洀瀀㬀 瀀栀礀猀椀焀甀攀猀 搀攀 䨀愀挀⸀ 伀稀愀渀愀洀Ⰰ 挀漀渀琀攀渀愀渀琀 氀攀猀 ☀渀戀猀瀀㬀 倀爀漀戀氀☀攀最爀愀瘀攀㬀洀攀猀 氀攀猀 瀀氀甀猀 挀甀爀椀攀甀砀 搀ᤀ†䄀爀椀琀栀洀攀琀椀焀甀攀Ⰰ 搀攀 䜀☀攀愀挀甀琀攀㬀漀洀攀琀爀椀攀Ⰰ 搀攀 䴀☀攀愀挀甀琀攀㬀挀栀愀渀椀焀甀攀Ⰰ 搀ᤀ†伀瀀琀椀焀甀攀Ⰰ 搀攀 䴀甀猀椀ⴀ焀甀攀Ⰰ 搀ᤀ†䄀猀琀爀漀渀漀洀椀攀Ⰰ 搀攀 䜀攀漀最爀愀瀀栀椀攀Ⰰ 搀攀 一愀瘀椀最愀琀椀漀渀Ⰰ 搀ᤀ†䄀爀挀栀椀琀攀挀琀甀爀攀Ⰰ 搀攀 Pyrothecnie, de Physique & c.਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀漀渀栀愀爀搀 䌀栀爀⸀ 匀琀爀甀洀 㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀　㠀Ⰰ 䰀攀椀瀀稀椀最 ⼀ ㄀㜀㈀㄀Ⰰ 䄀甀最甀猀戀甀爀最㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀　　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䌀漀洀瀀愀渀椀愀 䘀漀攀氀椀砀㨀 漀爀 䄀 䐀椀猀挀漀甀爀猀攀 漀昀 琀栀攀 䈀攀渀攀昀椀琀猀 愀渀搀 䤀洀瀀爀漀瘀攀洀攀渀琀猀 of Husbandry਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀圀椀氀栀攀氀洀 䴀甀渀搀攀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䠀愀氀氀攀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀甀椀猀 䈀爀攀琀攀稀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㔀㄀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀　㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀一漀甀瘀攀愀甀 琀爀愀椀琀攀 搀攀 琀漀甀琀攀 氀ᤀ†䄀爀挀栀椀琀攀挀琀甀爀攀Ⰰ 漀甀 氀ᤀ†䄀爀琀 搀攀 戀愀猀琀椀爀Ⰰ utile aux entrepre neurs, et aux ouvriers; pn y trouvera aisément, & sans fraction la mensure de chaque Ordre de Colonnes; & ce qu’ il faut obserber dans les edifices publiques, ou particuliers਀  㰀琀搀㸀倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀䨀攀愀渀 䰀愀甀琀攀渀戀愀挀栀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀椀瀀稀椀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀渀琀栀漀渀礀 䄀猀栀氀攀礀 䌀漀漀瀀攀爀Ⰰ ㌀爀搀 䔀愀爀氀 漀昀 匀栀愀昀琀猀戀甀爀礀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀　㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀愀 吀栀☀攀愀挀甀琀攀㬀漀爀椀攀 攀 氀愀 倀爀愀琀椀焀甀攀 搀甀 䨀愀爀搀椀渀愀最攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㄀㄀Ⰰ 䐀攀渀 䠀愀愀最 ⼀⼀ 琀爀愀搀⸀ 㰀䤀㸀䔀渀最⸀㰀⼀䤀㸀Ⰰ ㄀㜀㄀㈀ ⠀䨀漀栀渀 䨀愀洀攀猀Ⰰ 吀栀攀 吀栀攀漀爀礀 愀渀搀 倀爀愀挀琀椀挀攀 漀昀 䜀愀爀搀攀渀椀渀最⤀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀攀猀 漀爀搀爀攀猀 搀ᤀ†䄀爀挀栀椀琀攀挀琀甀爀攀 猀甀椀瘀愀渀琀 嘀椀琀爀甀瘀攀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀ᤀ愠爀挀栀椀琀攀琀琀甀爀愀 挀椀瘀椀氀攀 瀀爀攀瀀愀爀愀琀愀 猀☀甀最爀愀瘀攀㬀 氀愀 最攀漀洀攀琀爀椀愀Ⰰ 攀 爀椀搀漀琀琀愀 愀氀氀攀 prospettive considerazioni pratiche਀  㰀琀搀㸀倀愀爀洀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀匀攀戀愀猀琀椀愀渀 氀攀 䌀氀攀爀挀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀爀漀搀爀漀洀甀猀 䄀爀挀栀椀琀攀挀琀甀爀愀攀 䜀漀氀搀洀愀渀渀椀愀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀椀琀爀甀瘀椀甀猀 䈀爀椀琀愀渀椀挀甀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀 一漀戀氀攀洀愀渀Ⰰ 䜀攀渀琀氀攀洀愀渀Ⰰ 愀渀搀 䜀愀爀搀攀渀攀爀ᤀ猠 刀攀挀爀攀愀琀椀漀渀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀漀氀氀猀琀☀愀甀洀氀㬀渀搀椀最攀 䄀洀眀攀椀猀甀渀最 愀瀀瀀攀 䄀爀琀攀渀 瘀漀渀 爀攀最甀氀愀爀攀洀 倀爀愀挀栀琀最攀戀☀愀甀洀氀㬀甀搀攀渀 nach gewissen Regulen zu erfinden਀  㰀琀搀㸀䄀甀最猀戀甀爀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀椀挀栀愀爀搀 䈀爀愀搀氀攀礀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㌀㤀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀 䰀愀搀礀ᤀ猠 刀攀挀爀攀愀琀椀漀渀㨀 漀爀 吀栀攀 䄀爀琀 漀昀 䜀愀爀搀攀渀椀渀最 䤀洀瀀爀漀瘀ᤀ搠㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀一甀漀瘀愀 䄀爀挀栀椀琀攀琀琀甀爀愀 䌀椀瘀椀氀攀 攀 䴀椀氀椀琀愀爀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㄀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䤀挀栀渀漀最爀愀瀀栀椀愀 刀甀猀琀椀挀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㐀㈀Ⰰ 爀攀瘀ⰀⰀ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䔀渀琀眀甀爀昀 攀椀渀攀爀 栀椀猀琀漀爀椀猀挀栀攀渀 䄀爀挀栀椀琀攀欀琀甀爀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㈀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀爀愀椀琀☀攀愀挀甀琀攀㬀 搀攀猀 昀漀爀挀攀猀 洀漀甀瘀愀渀琀攀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀愀琀爀甀洀 洀愀挀栀椀渀愀爀甀洀 最攀渀攀爀愀氀攀Ⰰ 匀挀栀愀甀瀀氀愀琀稀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㐀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀爀愀挀琀椀挀愀氀 䄀爀挀栀椀琀攀挀琀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㈀㔀Ⰰ ㌀　Ⰰ ㌀㘀Ⰰ 㐀㠀Ⰰ 㔀㄀Ⰰ 㔀㜀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀伀瀀甀猀 愀爀挀栀椀琀攀挀琀漀渀椀挀甀洀 攀焀甀椀琀椀猀 䘀爀愀渀挀椀猀挀椀 䈀漀爀漀洀椀渀椀 攀砀 攀椀甀猀搀攀洀 exemplaribus petitum਀  㰀琀搀㸀刀漀洀愀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㔀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀爀愀椀琀☀攀愀挀甀琀攀㬀 搀攀 倀攀爀猀瀀攀挀琀椀瘀攀 瀀爀愀琀椀焀甀攀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㘀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀爀愀挀琀椀挀愀氀 䜀攀漀洀攀琀爀礀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㈀㠀Ⰰ ㈀㤀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㘀⼀㔀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀ᤀ†䄀爀挀栀椀琀攀琀琀漀 瀀爀愀琀琀椀挀漀Ⰰ 椀渀 挀甀椀 挀漀渀 昀愀挀椀氀椀琀☀愀最爀愀瘀攀㬀 猀椀 搀愀渀渀漀 氀攀 爀攀最漀氀攀 per apprendere l’ architettura Civile, ...਀  㰀琀搀㸀倀愀氀攀爀洀漀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀愀琀琀礀 䰀愀渀最氀攀礀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀甀搀眀椀最 倀栀椀氀椀瀀 吀愀甀洀椀渀最㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀爀愀甀渀猀眀攀椀最 ☀愀洀瀀㬀 䰀攀椀瀀稀椀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀관⥞㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀愀琀琀礀 䰀愀渀最氀攀礀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀䜀⸀ 䔀⸀ 䈀爀椀猀攀甀砀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䴀愀最渀甀洀 椀渀 瀀愀爀瘀漀⸀⸀⸀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䔀猀猀愀礀 椀渀 䐀攀昀攀渀挀攀 漀昀 䄀渀挀椀攀渀琀 䄀爀挀栀椀琀攀挀琀甀爀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀 䈀漀漀欀 漀昀 䄀爀挀栀椀琀攀挀琀甀爀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㌀㤀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀一漀甀瘀攀愀甀 琀爀愀椀琀☀攀愀挀甀琀攀㬀 搀ᤀ†䄀爀挀栀椀琀攀挀琀甀爀攀Ⰰ 挀漀渀琀攀渀愀渀琀 氀攀猀 挀椀渀焀 伀爀搀爀攀猀 suivant les quatres Auteurs les plus approuvés, sur les principes des quel਀  猀漀渀琀 挀漀洀瀀漀猀☀攀愀挀甀琀攀㬀猀 搀椀昀昀攀爀攀渀琀攀猀 猀甀樀攀琀Ⰰ 猀甀爀 挀栀愀挀甀渀 搀攀 氀攀甀爀猀 漀爀搀爀攀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀挀栀椀琀攀挀琀甀爀攀 洀椀氀椀琀愀爀攀☀㰠⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㤀㤀Ⰰ 倀愀爀椀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㈀㤀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀 猀甀爀攀 最甀椀搀攀 琀漀 䈀甀椀氀搀攀爀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀 夀漀甀渀最 䈀甀椀氀搀攀爀猀 刀甀搀椀洀攀渀琀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㌀㘀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀　㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀愀戀戀爀椀挀栀攀 愀渀琀椀挀栀攀 搀椀 䄀渀搀爀攀愀 倀愀氀氀愀搀椀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀㄀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀椀爀攀稀椀漀渀椀 愀椀 最椀漀瘀愀渀椀 猀琀甀搀攀渀琀椀 搀攀氀 搀椀猀攀最渀漀 搀攀氀氀ᤀ†愀爀挀栀椀琀攀琀琀甀爀愀 civile nell’ accademia dell’ Istituto delle Scienze unite...਀  㰀琀搀㸀䈀漀氀漀最渀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀圀椀氀氀椀愀洀 䠀愀氀昀瀀攀渀渀礀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀㈀㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀甀氀攀猀 昀漀爀 䐀爀愀眀椀渀最 吀栀攀 猀攀瘀攀爀愀氀 倀愀爀琀猀 漀昀 䄀爀挀栀椀琀攀挀琀甀爀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㌀㠀Ⰰ 㔀㌀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀㈀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀椀猀猀攀爀琀愀琀椀漀 樀甀爀椀搀椀挀愀 搀攀 甀猀甀 爀椀洀攀搀椀椀 挀漀渀琀爀愀 愀攀搀椀昀椀挀愀琀甀洀 愀搀 aemulationem...਀  㰀琀搀㸀圀椀琀琀攀渀戀攀爀最㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀﮐ蜰⥒㰀⼀琀搀㸀 ਀  㰀琀搀㸀䘀攀爀搀椀渀愀渀搀漀 䜀愀氀氀椀ⴀ䈀椀戀椀攀渀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀攀 䈀爀椀琀椀猀栀 䌀愀爀瀀攀渀琀攀爀Ⰰ 漀爀 䄀 吀爀攀愀琀椀猀攀 漀渀 䌀愀爀瀀攀渀琀爀礀Ⰰ 挀漀渀琀愀椀渀椀渀最 the most concise and authentick Rules of that Art, Useful and Extensive਀  䴀攀琀栀漀搀Ⰰ 琀栀愀渀 栀愀猀 戀攀攀渀 洀愀搀攀 倀甀戀氀椀挀欀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㌀㔀Ⰰ 㔀㌀Ⰰ 㔀㤀Ⰰ 㘀㔀Ⰰ 㘀㠀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀氀 吀攀愀琀爀漀 伀氀椀洀瀀椀挀漀 搀椀 䄀渀搀爀攀愀 倀愀氀氀愀搀椀漀 椀渀 嘀椀挀攀渀稀愀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㐀㤀Ⰰ 倀愀搀漀瘀愀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀㌀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䐀攀最氀椀 䄀爀挀栀椀 攀 搀攀氀氀攀 瘀漀氀琀攀 攀 爀攀最漀氀攀 最攀渀攀爀愀氀椀 搀椀 䄀爀挀栀椀琀攀琀琀甀爀愀 Civile਀  㰀琀搀㸀嘀攀渀攀稀椀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀栀⥑㰀⼀琀搀㸀 ਀  㰀琀搀㸀刀漀戀攀爀琀 䴀漀爀爀椀猀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䰀漀渀搀漀渀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀氀攀猀猀愀渀搀爀漀 倀漀洀瀀攀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀嘀攀爀漀渀愀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ༀ⦐㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀漀氀漀 䄀洀愀琀漀㰀⼀琀搀㸀 ਀  㰀琀搀㸀倀愀氀攀爀洀漀㰀⼀琀搀㸀 ਀ 㰀⼀琀爀㸀 ਀  㰀琀搀㸀⠀ꨀ⤰㰀⼀琀搀㸀 ਀  㰀琀搀㸀吀栀漀洀愀猀 䴀愀氀椀攀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㰰⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀㜀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䄀爀挀栀椀琀攀琀琀甀爀愀 挀椀瘀椀氀攀 搀攀氀 倀愀搀爀攀 䐀⸀ 䜀甀愀爀椀渀漀 䜀甀愀爀椀渀椀㰀⼀琀搀㸀 ਀  㰀琀搀㸀攀搀⸀ 昀愀挀猀椀洀椀氀攀Ⰰ 䜀爀攀最最 倀爀攀猀猀㰀⼀琀搀㸀 ਀ 㰀琀爀㸀 ਀  㰀琀搀㸀㄀㜀㌀㠀㰀⼀琀搀㸀 ਀  㰀琀搀㸀䈀甀椀氀搀攀爀猀 䌀漀洀瀀氀攀愀琀 䄀猀猀椀猀琀愀渀琀㰀⼀琀搀㸀 ਀  㰀琀搀㸀㄀㜀㔀　 挀⸀Ⰰ 㘀㘀Ⰰ 㠀㠀 挀⸀Ⰰ ㄀㠀　㜀 挀⸀Ⰰ 䰀漀

分類	著者　*( )は例外	発行場所
	(ザンクト・ガレン St. Gallen 修道院からウィトルウィウスの部分的写本を発見)
1414
(住)	L. B. Alberti	(ms)
(絵・透)	L. B. Alberti	(ms.)
1440 c.	Codice dei Cinque Ordini	in Studi e Documenti di Architettura, n. 1 (Istituto di Composizione architettonica della Faccolta di Architettura di Firenze), 1972 // 邦訳、森雅彦訳、アルベルティ｢芸術論｣所収、中央公論美術出版、 1992
1449 c.	Ludi rerum mathematicarum	in Opere volgari (ed. Cecil Grayson), vol. III, 1973, Bari
1450 c.	Forma Urbis Romae	in Quaderni dell’ Istituto di Elementi di Architettura e Rilievo dei Monumenti di Genova, I (a cura di G. Orlandi), 1968 // 邦訳、森雅彦訳、アルベルティ｢芸術論｣所収、中央公論美術出版、
1450 c.	Commentarii
1450 c.?	De statua	邦訳、森雅彦訳、アルベルティ｢芸術論｣所収、中央公論美術出版、1992
1453
(全)	L. B. Alberti	(ms.)
(全)	Antonio Averlino, detto il Filarete	(ms.)
(全)	Francesco di Giorgio Martini	(ms)
(伝)	Francesco Manetti	(ms.)
(全)	Giovanni Sulpizio da Veroli	1496, Firenze / 1497, Venezia / 1506, Perugia
1490 c.	De prospectiva pingendi
1494	Summa arithmeticae
1494	De partibus aedium libri due	1501, 06, 08, 16, Brescia / 1516, Parma & Torino / 1517, Venezia / 1517, Paris / 1533, 41, Basel // 1535, Lyon / 1618, Dordrecht
1499	Hypnerotomachia Poliphilii	1545, Venezia // trad. Fr., 1546, 51, 54, 61, 1600, 57, 1772, 1803, 83, Paris / 1811, Parma // trad. Eng.,　1592, 1890.
1500 c.	Antiquarie prospettiche Romane composte per Prospectivo Milanese depictore
1500 c.	De architectura di Vitruvio nella traduzione inedita di Favio Calvo ravennate
1505	De artificiali perspectiva	1509, 21, Toul / 1509, 40, Nürnberg // 邦訳、横山正訳｢ヴィアトールの透視図法｣(原書ファクシミレを含む)、リブロポート、1981
1505	Euclidis... Opera
1506	De Architectura, ejusque divisionibus Tractatus, Auctore Raphaele Volterrano
1507	De V corporibus regularibus
1509	De divina proportione. Opera a tutti gli ingeni perspicaci e curiosi necessaria. Ove ciascun Studioso di Philosophia: Prospectiva:਀  倀椀挀琀甀爀愀㨀 匀挀甀氀瀀琀甀爀愀 㨀 䄀爀挀栀椀琀攀挀琀甀爀愀㨀 䴀甀猀椀挀愀㬀 攀 愀氀琀爀攀 䴀愀琀栀攀洀愀琀椀挀攀㨀 猀甀愀瘀椀猀猀椀洀愀 㨀 猀漀琀琀椀氀攀㬀 攀 愀搀洀椀爀愀戀椀氀攀 搀漀挀琀漀爀椀渀愀 挀漀渀猀攀焀甀椀爀愀 㨀 攀 搀攀氀攀挀琀愀爀愀猀猀椀㬀 挀漀 瘀愀椀攀爀 questione de secretissima scientia	in Scrittori rinascimentali di Architettura (a cura di A. Bruschi, ecc.), Milano (Ed.. il Polifilo)
1509	Euclidis Megarensis... Opera
1510 c.	Codice Atlantico	(ms.)
1511	M. Virtuvii per Jocundum solito castigator factus cum figuris et਀  琀愀戀甀氀愀 甀琀 樀愀洀 氀攀最椀 攀琀 椀渀琀攀氀氀椀最椀 瀀漀猀猀椀琀㰀⼀琀搀㸀	Venezia
(軍)	Fra Giocondo	Venezia
(庭)	Fra Giocondo	Venezia
(数・幾)	F. Feliciano da Lazezio	(2da  ed., 1527)
1521	De Lucio Vitruvio Pollione de Architectura libri decem traducti਀  搀攀 氀愀琀椀渀漀 椀渀 瘀甀氀最愀爀攀Ⰰ 愀昀昀椀最甀爀愀琀椀Ⰰ 挀漀洀洀攀渀琀愀琀椀 攀 挀漀渀 洀椀爀愀渀搀漀 漀爀搀椀渀攀 椀渀猀椀最渀椀琀椀☀㰠⼀琀搀㸀	Como
1525	De Harmonia Mundi Totius
1525	Underweysung der Messung mit den Zirkel und Richtscheyt, in਀  䰀椀渀椀攀渀Ⰰ 䔀戀攀爀渀攀渀 甀渀搀 最愀渀稀攀渀 䌀漀爀瀀漀爀攀洀㰀⼀琀搀㸀	Nürnberg
(全)	Diego de Sagredo	Toledo
(軍)	Albrecht Dürer	1529, 30, 38, Wien / 1603, Arnhem
1528	Hierin sind begriffen vier Bücher von menschlicher Proportion	1603, Arnhem // 邦訳、前川誠郎監修・下村耕一訳｢人体均衡論四書注解｣、中央公論美術出版、1995
1529	Champ Fleury, auquel est contenu l’art et la science de la deue਀  攀琀 瘀爀愀礀攀 倀爀漀瀀漀爀琀椀漀渀 搀攀猀 䰀攀琀琀爀攀猀 愀渀琀椀焀甀攀猀Ⰰ 焀甀ᤀ†漀渀 搀椀琀 愀甀琀爀攀洀攀渀琀 䰀攀琀琀爀攀猀 antiques et vulgairement Lettres Roumaines proportionées selon le Corps et Visage humain	1541, Strasbourg / 1553, Paris
1531	Eyn schön nützlich Buechlin und Underwisung der Kunst des਀  䴀攀猀猀攀渀猀Ⰰ 洀椀琀 搀攀洀 娀椀爀欀攀氀Ⰰ 刀椀挀栀琀猀挀栀攀椀琀 漀搀攀爀 䰀椀渀椀愀氀⸀ 娀甀 渀甀琀稀 愀氀氀攀渀 Kunstliebhabern... so sich der Kunst des Messens, Perspektiva zu latein਀  最攀渀愀渀渀琀Ⰰ 稀甀 最攀戀爀愀甀挀栀攀渀 氀甀猀琀 栀愀戀攀渀⸀ 䐀愀爀椀渀渀 洀愀渀 愀甀挀栀 猀漀氀挀栀攀 䬀甀渀猀琀 氀攀椀挀栀琀Ⰰ 搀愀渀渀 auss etlichen hiervorgedruckten büchern, begreiffen und lernen mag. Sie-meren਀  愀甀昀 搀攀洀 䠀甀渀猀爀甀挀欀㰀⼀琀搀㸀
(全)	Ulrich Kern
1535	Comment a Vitruvio
1536	(Traduzione di Vitruvio, solo I-V libs.)
1537	La nuova scientia
1537 c.	This boke sheweth the maner of measurynge of all manner of਀  氀愀渀搀攀Ⰰ 愀猀 眀攀氀氀 漀昀 眀漀漀搀氀愀渀搀攀Ⰰ 愀猀 漀昀 氀愀渀搀攀 椀渀 琀栀攀 昀攀氀搀Ⰰ 愀渀搀 挀漀洀瀀琀礀渀最猀 琀栀攀 琀甀爀攀 nombre of acres of the same
1537	Regole generali di architettura... sopra le cinque maniere degli਀  攀搀椀昀椀挀椀Ⰰ 挀椀漀☀攀最爀愀瘀攀㬀 吀漀猀挀愀渀漀Ⰰ 䐀漀爀椀挀漀Ⰰ 䨀漀渀椀挀漀Ⰰ 䌀漀爀椀渀琀椀漀 攀 䌀漀洀瀀漀猀椀琀漀 挀漀渀 最氀椀 攀猀攀洀瀀椀 delle antichità, che per la maggior parte concordiano con la dottorina di਀  嘀椀琀爀甀瘀椀漀 ⠀㰀䈀㸀䰀椀戀⸀⸀ 䤀嘀㰀⼀䈀㸀⤀㰀⼀琀搀㸀	Venezia
1540 c.	L’ architettura, Sulla città	in L. Puppi, Scrittori vicentini d’architettura deo secolo XVI, Vicenza 1973
1542
(全)	Guillaume Philander	1544, Roma (completo) / 1545, Paris / 1550, Strasbourg / 1552,਀  㠀㘀Ⰰ 䰀礀漀渀 ⼀ ㄀㔀㔀㜀Ⰰ 嘀攀渀攀稀椀愀㰀⼀琀搀㸀
(幾)	N. Tartaglia	Venezia
(数)	N. Tartaglia	Venezia
(庭)	Luigi Alamanni	Firenze
(全)	C. Tolomei
1547	L’ Architecture ou art de bien bastir e Marc. Vitruve Pollion,਀  愀甀琀攀甀爀 爀漀洀愀椀渀 愀渀琀椀焀甀攀㰀⼀琀搀㸀	Paris
(全)	Hermann Ruff (Walter Rivius)	Nürnberg
(全)	H. Ruff (Rivius )	Nürnberg
(全)	Làzaro de Velasco	Madrid
(オ)	Hans Blum	Zürich
(劇)	Giorgio Vasari	1568, Firenze (con aggiunte) // ed. Milanesi, Firenze 1878-85 / 1973, Firenze (ed. Sansoni)
1551	Discorso e ragionamento di ombra
1553	Libri di PYRRHO LIGORI Napolitano. Delle Antichità di Roma, Nel਀  焀甀愀氀攀 猀椀 琀爀愀琀琀愀 搀攀ᤀ†䌀椀爀挀椀Ⰰ 吀栀攀愀琀爀椀Ⰰ ☀愀洀瀀㬀 䄀渀昀椀琀栀攀愀琀爀椀Ⰰ⸀ 䌀漀渀 氀攀 倀愀爀愀搀漀猀猀攀 搀攀氀 Medesimo auttore, quai confutano la commune opinione sopra varii luoghi della਀  挀椀琀琀☀愀最爀愀瘀攀㬀 搀椀 刀漀洀愀㰀⼀琀搀㸀	Venezia
(歴)	Andrea Palladio	in Andrea Palladio, Scritti sull’Architettura (a cura di L. Puppi, Neri Pozza ed.), Vicenza 1988
1554 c.	Trattato dell’ architettura
1554	Descrizione de le chiese di Roma raccolta brevemente...	in Andrea Palladio, Scritti sull’Architettura (a cura di L. Puppi, Neri Pozza ed.), Vicenza 1988
1554	I quattro primi libri d’ architettura	(aggiunti, Venezia 1567) // ed. facsimile, Gregg Press, 1964
1556	I dieci libri dell’ architettura di M. Vitruvio Pollione਀  琀爀愀搀甀琀琀椀 攀 挀漀洀洀攀渀琀愀琀椀 搀愀 䴀漀渀猀⸀ 䐀愀渀椀攀氀攀 䈀愀爀戀愀爀漀 瀀愀琀爀椀愀爀挀愀 攀氀攀琀琀漀 搀椀 䄀焀甀椀氀攀最最椀愀㰀⼀琀搀㸀	Venezia
1558	Gli oscuri e difficili passi dell’ opera di Vitruvio
1558	Ptolemaci Planisphaerium...
1558	Trattato della vita sobria del Magnifico M. Luigi Cornaro nobile਀  瘀椀渀椀琀椀愀渀漀㰀⼀琀搀㸀	Padova
1558	Delle statue antiche, che per tutta Roma, in diversi luoghi, e਀  挀愀猀攀 猀椀 瘀攀最最漀渀漀㰀⼀琀搀㸀	Venezia
(全)	Jacques 1º Androuet Du Cerceau
1561	Seconde livre d’ architecture
1570	Troisieme livre d’ architecture	1582, 1615, 48, Paris
1559	Dell’ architettura militare
1559	La Villa
1560	Livre de perspective
1561	Nouvelles inventions pour bien bastir e à petit frais
1562	Regole delli cinque ordini d’ architettura in 32 tavole (senza data)	邦訳、長尾重武訳、中央公論美術出版、1984
1563	The First and Chief Grounds of Architecture
1564	Del modo di misurare le distanze, le superfici, I corpi, le਀  瀀爀漀瘀椀渀挀椀攀Ⰰ 氀攀 瀀爀漀猀瀀攀琀琀椀瘀攀⸀⸀⸀㰀⼀琀搀㸀	Venezia
(オ)	Jean Bullant	Paris
(透)	Hans Lautensack	1618, Frankfurt
1565	Architectura, oder Bauung der Antiquen aus dem Vitruvius...	Ed. Fr., 1577, Amsterdam / Ed. Lat., 1633, Amsterdam
1565	Libro del misurar con la vista	1569, 70, 73, 95, Venezia
1566	Livres des Grotesques
1566/7	Traité de l’ architecture, suivant Vitruve, où il est traitté des cinq ordres de colonne, sçavoir toscan, dorique, ionique, corinthien et composite ; diverse en sept chaptires qui enseignant leur differentes proportions	(parut en 1648, mais ecrit entre 1566 et 1577)
1567	Perspectiva literaria...	1595, Nürnberg
1567	Il primo libro del trattato delle perfette proporzioni di tutte਀  氀攀 挀漀猀攀⸀⸀⸀㰀⼀琀搀㸀	Firenze
(全)	Philibert de l’ Orme	1568, Paris
1567	Tre discorsi sopra il modo d’ alzar acque da’ luoghi bassi. Per਀  愀搀愀挀焀甀愀爀 琀攀爀爀攀渀椀⸀ 倀攀爀 氀攀瘀愀爀 猀漀爀最攀渀琀椀Ⰰ ☀愀洀瀀㬀 瀀椀漀瘀甀琀攀 搀愀氀氀攀 挀愀洀瀀愀最渀攀Ⰰ 挀栀攀 渀漀渀 possono naturalmente dare loro il discorso, Per mandare l’ acqua da bere alle਀  䌀椀琀琀☀愀最爀愀瘀攀㬀Ⰰ 挀栀攀 渀ᤀ†栀愀渀渀漀 戀椀猀漀最渀漀Ⰰ ☀愀洀瀀㬀 愀氀琀爀椀 猀椀洀椀氀椀 甀猀椀㰀⼀琀搀㸀	Parma
(透)	Hans Vredeman de Vreis	Antwerpen
(透)	Wenzel Jamitzer	Nürnberg
(透)	Daniele Barbaro	Venezia
(機)	Jacques Besson
1570	I Quattro Libri dell’ Architettura	1581, 1601, 42, 1711, 40, 41, 69, 84, Venezia / 1800, Padova // trad. Fr., 1646, 82, Amsterdam / 1650, 51, 82, Paris (par Fréart de Chambray) / 1726, Den Haag (by N. Dubois=2nd ed. of Giacomo Leoni) / 1842, Paris (par Chapuy, Corréart et A. Lenoir) // trad. Germ., 1698, Nürnberg (par Böckler, 1º & 2º Libro) // trad. Esp., 1625, Valladolid (da Francisco de Praves, solo 1º libro) / 1797, Madrid (da Ortiz y Sanz) // trad. Eng., 1663, 68, 76, 83, 1700, 08, 16, 21, 24, 33, London (by Richards) // Giacomo Leoni Ed., 1715[16], London (text, It., Fr., & Eng.) / 1721, London (in Eng.) / 1742, London (with notes by Inigo Jones) // Colin Campbell Ed., 1729, London / Hoppus Ed., 1733-35, London (only 1 º libro) // Isaac Ware Ed., 1733, London / Miller Ed., 1759, London // ed. facsimile, 1968 Milano (ed., Ulrico Hoepli) // 邦訳、桐敷真次郎訳、｢建築四書｣、中央公論美術出版、1986
1570	The Elements of Geometry of the most auncient Philosopher਀  䔀瘀挀氀椀搀攀 漀昀 䴀攀最愀爀愀Ⰰ 䘀愀椀琀栀昀甀氀氀礀 ⠀渀漀眀 昀椀爀猀琀⤀ 琀爀愀渀猀氀愀琀攀搀⸀⸀⸀ 眀椀琀栀 愀 瘀攀爀礀 昀爀甀椀琀昀甀氀 Preface made by M. I. Dee…
1570	De picturis et imaginibus sanctis
1572	Opticae thesaurus Alhazeni Arabis septem (a cura di F. Risner)
1572	Dispareri in materia d’ architettura e prospettiva…	1771, Milano
1572	Trattato dell’ agricoltura... nel quale si contiene il vero...਀  洀漀搀攀漀 搀椀 挀漀氀琀椀瘀愀爀攀 氀攀 挀漀猀攀 搀椀 瘀椀氀氀愀㰀⼀琀搀㸀	Venezia
(透)	Egnazio Danti
1573	Trattato della proportione
1576	Leçon de perspective positive
1577	Instructiones fabricae et spellectilis ecclesiasticae
1578	Le theâtre des Struments et Machines...	1582, Ed. lat. & it., Messina / 1605, Ed. Esp., Lyon
1580	Osservazioni nella pittura	in Trattato d’ Arte del Cinquecento (a cura di P. Barocchi), vol. I, Bari 1960
1580	Traité familier pour toiser, mensurer exactement calculer toute਀  洀愀 ☀挀挀攀搀椀氀㬀漀渀攀爀椀㰀⼀琀搀㸀	Paris
(全)	J. (Hans) Vredeman de Vries	Antwerpen
(全)	Giovanni Battista Aleotti
1583	Le petit traité des cinq ordres de colonnes	Paris
1583	Hortorum Viridariorumque elegantes et multiplices formae, ad਀  愀爀挀栀椀琀攀挀琀漀渀椀挀愀攀 愀爀琀椀猀 渀漀爀洀愀洀 愀昀昀愀戀爀攀 搀攀氀椀攀愀琀愀攀㰀⼀琀搀㸀	Antwerpen
(透)	J. Barozzi da Vignola
1584	Trattato dell’ arte della pittura
1585	De varia commensuracion para la Esculptura y Architectura	(Lib. 1, geometria; Lib. 2, anatomia e dottorina delle਀  瀀爀漀瀀漀爀稀椀漀渀椀㬀 䰀椀戀⸀ ㌀Ⰰ 稀漀漀氀漀最椀愀㬀 䰀椀戀⸀ 㐀Ⰰ 愀爀挀栀椀琀攀琀琀甀爀愀⤀ ⼀⼀ ㄀㘀㜀㔀Ⰰ ㄀㜀㌀㘀Ⰰ 㘀㌀Ⰰ 㜀㌀Ⰰ 㤀㔀Ⰰ ㄀㠀　㘀Ⰰ 䴀愀搀爀椀搀㰀⼀琀搀㸀
(機)	Erone Alessandrino (Heron of Alexandria)	Venezia
(全)	Gian Antonio Rusconi	Venezia
(機)	Domenico Fontana	Roma
(都)	Bartolomeo Ammanati	(ms., incompiuta)
(全)	Antonio Possevino	Roma
(図)	Cesare Ripa	Roma
1596	La pratica di prospettiva...	1625, Venezia
1597	Le fortificazioni
1598 c.	La Città ideale ; Pianta di chiese (palagi e ville) di Toscana e d’ Italia
1598	Architectura von Ausstheilung, Symmetria und Proportion der Fünf਀  匀攀甀氀攀渀㰀⼀琀搀㸀	Nürnberg
(軍)	G. B. Bellucci
(軍)	F. De Marchi	Brescia
(幾)	Giovanni Pomodolo	Roma
(透)	Santa Maria Guidubaldo Bourbon del Monte	Pisa
(透)	Hans Vredeman de Vries	Leiden & Den Haag
1605	Le vinti giornate dell’ agricoltura et dei piaceri della villa
1606	Le operazioni del compasso geometrico e militare
1607	L’ idea de’ pittori, scultori, et architetti
1608	Libro d’ architettura con diversi ornamenti cavati dall’ antico
1609	Arte y Uso di Arquitectura
1612	La perspective avec la raison des ombres et miroires
1613	Opticorum libri VI
1615	L’ idea dell’ architettura universale	1687, Piazzola / 1694, 97, 1714, etc., Venezia //  ed. facsimile, Gregg Press, 1964
1615	Les Raisons des forces Mouvantes avec diverses machines tant਀  甀琀椀氀氀攀猀 焀甀攀 瀀氀愀椀猀愀渀琀攀猀㰀⼀琀搀㸀	Frankfurt
(全)	Pietro Antonio Barca	Milano
(全)	Pierre Le Muet	Paris
(全)	Louis Savot	Paris
(全)	Sir Henry Wotton	ed. Lat., 1649, Amsterdam
1625	Lo inganno degli occhi, prospettiva pratica, trattato in਀  愀挀挀漀渀挀椀漀 搀攀氀氀愀 瀀椀琀琀甀爀愀㰀⼀琀搀㸀	Firenze
(庭)	Francis Bacon	London
(透)	H. Hondius	Den Haag
(全)	Ottavio Revese Bruti
1628	Prospettiva pratica...
1628/38	Architectura civilis, navalis, martialis
1629	Delle architettura libri due	1677, 98, Padova (con aggiunti)
1629	Manuale d’ architettura cioè breve e risoluta pratica in sei਀  氀椀戀爀椀㰀⼀琀搀㸀	Ascoli
(全)	Deodato Osio	Milano
(オ)	Pierre Le Muet
1633	Opticae, sive Perspectivae partes quattuor	1638, Amsterdam (con agg.)
1634	Traité d’ Optique, Œuvres mathématiques
1637/8	Pratica di fabricar scene e macchine ne’ teatri	ed. facsimile, 1989, Roma
1638	La perspective curieuse ou magie artificielle des effects਀  洀攀爀瘀攀椀氀氀攀甀砀 搀攀 氀ᤀ†伀瀀琀椀焀甀攀㰀⼀琀搀㸀	Paris
(庭)	Giovanni Battista Ferrari	Roma
(庭)	Jacques Boyceau de la Barauderie
1639	Breve compendio di fortificazione moderna
1639	Arte, y uso de Arquitectura per Laurentium de S. Nicolao
1640 c.	Trattato di Prospettiva Pratica
1640	Architectura recreationis
1641 c.	Trattato sopra gli errori degli architetti	1767, Venezia
1641	Architettura civile dimostrativamente proporzionata et਀  愀挀挀爀攀猀挀椀甀琀愀 攀挀挀⸀㰀⼀琀搀㸀	Milano
(全)	Maturin Jousse
1642/9	La perspective pratique...	1651, 1679, Paris // ed. Germ., 1710, Augsburg
1643	Elementorum Architecturae Militalis lib. IV	ed. Fr.,਀  ㄀㘀㐀㔀Ⰰ 䰀攀椀搀攀渀㰀⼀昀漀渀琀㸀㰀⼀琀搀㸀
(水)	I. de Caus	London
(劇)	Giacomo Torelli	Venezia
(オ)	Pierre le Muet
1646	Ars magna lucis et umbrae
1646	Thaumaturgus Opticus. seu admiranda Optices, per radium਀  搀椀爀攀挀琀甀洀㨀 ⸀⸀⸀㰀⼀琀搀㸀	Paris
(透)	Samuele Marolois	Amsterdam
(オ)	Hans Vredmann de Vries (ed. Marolois ?)	Amsterdam
(オ)	Julien Mauclerc
1648	Traité਀  搀攀猀 瀀爀愀琀椀焀甀攀猀 最攀漀洀攀琀爀愀氀攀猀 攀琀 瀀攀爀猀瀀攀挀琀椀瘀攀猀 攀渀猀攀椀最渀☀攀愀挀甀琀攀㬀攀猀 搀愀渀猀 氀ᤀ†䄀挀愀搀攀洀椀攀 爀漀礀愀氀攀 搀攀 瀀攀椀渀琀甀爀攀 攀琀 猀挀甀氀瀀琀甀爀攀 猀甀椀瘀椀 搀甀 䐀椀猀挀漀甀爀猀 猀甀爀 氀愀 䴀愀渀椀攀爀攀 甀渀椀瘀攀爀猀愀氀氀攀 搀攀 䴀⸀ Desargues pour pratiquer la perspective par petit-pied, comme la Géometral...਀  㰀⼀琀搀㸀	Paris
(水・機)	Francesco Eschinardi	Roma
(オ)	Roland Fréart de Chambray	1652, Paris
1651	Le Jardin de Plaisir
1651	Le Théâtre d’ Agriculture et mesnage des champs
1652	Théâtre des Plans et Jardinages
1653	Compleat Surveyor
1653	Moyen universel de pratiquer la perspective sur les surfaces਀  椀爀攀最甀氀椀☀攀最爀愀瘀攀㬀爀攀㰀⼀琀搀㸀	Paris
(オ)	Nicholaus Goldmann	Leiden
(全)	Carlo Cesare Osio	Milano
(機)	Georg Andreas Böckler	Köln
(水・機)	Georg Andreas Böckler	Nürnberg
(測)	Vincent Wing	London
(軍)	Jean Dubrueil	Paris
(全)	John Brown	London
(幾)	Sebastian Le Clerc	Paris
(全)	André Félibien	1676, 90, 97, Paris
1669	Abrégé d’ Architecture civile et armonique...
1670	Cort onderwys de vyf colonnen ...
1672	Paradossi per praticare la prospettiva senza saperla, fiori, per facilitare l’਀  椀渀琀攀氀氀椀最攀渀稀愀Ⰰ 昀甀爀甀琀琀椀Ⰰ 瀀攀爀 渀漀渀 漀瀀攀爀愀爀攀 愀氀氀愀 挀椀攀挀愀⸀⸀⸀ 㰀⼀琀搀㸀	Bologna
(全)	Claude Perrault
1673	Architecture armonique ou application de la doctorine des਀  瀀爀漀瀀漀爀琀椀漀渀猀 搀攀 氀愀 䴀甀猀椀焀甀攀 ☀愀最爀愀瘀攀㬀 氀ᤀ䄠爀挀栀椀琀攀挀琀甀爀攀㰀⼀琀搀㸀	Paris
(全)	N.-François Blondel	Paris
(全)	Claude Perrault	Paris
(数)	Claude De Challes	1690, Lyon (con aggiunt.)
1675	Modo di misurar le fabbriche
1675	Terni
(全)	N.-François Blondel	1698, Paris
1676	Trattato di fortificazione
1676	Ordonnances des cinq espéces de colonnes selon la méthode des anciens	1683, 1733, Paris
1676	Des principes de l’ architecture, de la sculpture, de la਀  瀀攀椀渀琀甀爀攀 攀琀 ☀渀戀猀瀀㬀 搀攀猀 愀甀琀爀攀猀 愀爀琀猀Ⰰ 焀甀椀 攀渀 搀☀攀愀挀甀琀攀㬀瀀攀渀搀攀渀琀Ⰰ 愀瘀攀挀 甀渀 䐀椀挀琀椀漀渀渀愀椀爀攀 搀攀猀 琀攀爀洀攀猀 瀀爀漀瀀爀攀猀 ☀愀最爀愀瘀攀㬀 挀栀愀挀甀渀 搀攀 挀攀猀 愀爀琀猀㰀⼀琀搀㸀	Paris
(劇)	Fabricio Carini Motta	Guastalla
(測)	Henry Coggeshall	London
(庭)	John Woolridge	London
(全)	Alessandro Capra	Bologna
(全)	Giuseppe Leoncini	Roma
(透)	Sebastian Le Clerc	Paris
(全)	Simón García	(ms.)
(軍)	Francesco Eschinardi	Roma
(透)	Bernardino Contino	Venezia
(全)	Johann Indau	Wien
(測)	Edward Bernard	Oxford
(全)	Nicola Catherinot	Bourges
(全)	Padre Tommaso Maria Napoli	Roma
(軍)	Sebastian le Prestre de Vauban
(オ)	Augustin Charles Daviler	Paris
(全)	Pierre Bullet	Paris
(庭)	William Temple	London
(透・劇)	Andrea Pozzo
(数)	Jacques Ozanam	1724, 41, 50, Paris / rev. Ed., 1778, 88, Paris
1696	Vorständige Anweisung zu der Civilbaukunst der Goldmanns,਀  瘀攀爀洀攀栀爀琀 瘀漀渀 䰀⸀ 䌀栀爀⸀ 匀琀爀甀洀㰀⼀琀搀㸀	Wolfenbüttel
(庭)	Timothy Nourse
1703	Contra aedificatum ex aemulatione	1727, Halle
1706	La Perspective pratique de l’ architecture, contenant par leçons਀  甀渀 洀愀椀渀攀爀攀 渀漀甀瘀攀氀氀攀Ⰰ 挀漀甀爀琀攀Ⰰ ☀愀洀瀀㬀 愀椀猀☀攀愀挀甀琀攀㬀攀 瀀漀甀爀 爀愀瀀爀攀猀攀渀琀攀爀 攀渀 瀀攀爀猀瀀攀挀琀椀瘀攀 氀攀猀 漀爀搀漀渀渀愀渀挀攀猀 搀ᤀ†愀爀挀栀椀琀攀挀琀甀爀攀Ⰰ ☀愀洀瀀㬀 氀攀猀 瀀氀愀挀攀猀 昀漀爀琀椀昀椀☀攀愀挀甀琀攀㬀猀㰀⼀琀搀㸀	Paris
(オ)	L. G. Cordemoy	1714, Paris (avec une critique par Frezier)
1706	(Trattato sulle proporzioni dei cinque ordini)
1709	The Moralists	1711, combined in Characteristicks of Men, Manners, Opinions,਀  吀椀洀攀猀Ⰰ ㌀ 瘀漀氀氀⸀Ⰰ 䰀漀渀搀漀渀㰀⼀琀搀㸀
(庭)	Antoine-Joseph Dézallier D’ Argenville	Paris
(オ)	Jean Le Blond	Paris
(透)	Ferdinado Galli-Bibiena
1714	Traité d’ architecture avec des remarques, et des observations਀  琀爀攀猀ⴀ甀琀椀氀攀猀 瀀漀甀爀 氀攀猀 樀攀甀渀攀猀 最攀渀猀Ⰰ 焀甀椀 瘀攀甀氀攀渀琀 猀ᤀ†愀瀀瀀氀椀焀甀攀爀 ☀愀最爀愀瘀攀㬀 挀攀 戀攀氀 愀爀琀㰀⼀琀搀㸀	Paris
(全)	Leonhard. Chr. Strum	Augusburg
(全)	Colin Campbell	London
(庭)	Stephen Switzer	London
(オ)	Leonhard Christoph Sturm
1717	New Improvements of Planting and Gardening both Philosophical਀  愀渀搀 倀爀愀挀琀椀挀愀氀㰀⼀琀搀㸀	London
(庭)	Charles Evelyn (pseud., John Lawrence ?)	London
(全)	Alessandro Capra	Cremona
(図・庭)	Stephen Switzer	London
(全)	Johann B. Fischer von Erlach	Wien
(力)	François Camus	Paris
(劇)	Jacob Leupold	Leipzig
(全)	William Halfpenny	London
(作)	Francesco Borromini	Seconda Parte, 1735 (Accedit totius aedificii descriptio ac ratio਀  愀甀挀琀漀爀攀 攀漀搀攀洀 攀焀甀椀琀攀 䈀漀爀漀洀椀渀漀 渀甀渀挀 瀀爀椀洀甀洀 攀搀椀琀愀⤀Ⰰ 刀漀洀愀㰀⼀琀搀㸀
(透)	Jean Courtonne	Paris
(幾)	Batty Langley	London
(全)	Giovanni Amico
1727	Builders Chest Book	1729, 39, London
1727	Specimen Architecturae civilis ad politicam applicatae
1728	New Principles of Gardening
1728	L’architecture moderne, ou l’ art de bien bâtir pour toutes਀  猀漀爀琀攀猀 搀攀 瀀攀爀猀漀渀渀攀猀㰀⼀琀搀㸀	Paris
(全)	William Halfpenny	London
(全)	Robert Morris	London
(全)	James Gibbs	London
(オ)	Pierre Nativelle	Paris
(軍)	Bernard Belidor	Paris
(全)	Batty Langley	London
(全)	Batty Langley	London
(歴)	Richard Boyle, 3rd Earl of Burlington	London
(全)	Ferdinando Galli-Bibiena
1731	Perspective made easy, or a newe method for practical਀  倀攀爀猀瀀攀挀琀椀瘀攀㰀⼀琀搀㸀	London
(オ)	James Gibbs	London
(法)	Wilhelm Neess
1732	Direzioni della prospettiva, Teoria corrispondenti a quelle਀  搀攀氀氀ᤀ†愀爀挀栀椀琀攀琀琀甀爀愀㰀⼀琀搀㸀	Bologna
(全)	Francis Price	London
(劇)	Giovanni Montenari	Padova
(全)	Tommaso Temanza
1734	Lectures on Architecture
1735	I cinque Ordini dell’ Architettura Civile di Michele Sanmicheli, Rilevati dalle sue Fabbriche, e descritti, e pubblicati con quelli di Vitruvio, Alberti, Palladio, Scamozzi, Serlio, e Vignola
1736	Nuova pratica di prospettiva, nella quale si spiegato alcune਀  渀甀漀瘀攀 漀瀀椀渀椀漀渀攀Ⰰ 攀 氀愀 爀攀最漀氀愀 甀渀椀瘀攀爀猀愀氀攀 搀椀 䐀椀猀攀最渀愀爀攀 椀渀 焀甀愀氀甀渀焀甀攀 猀甀瀀攀爀昀椀挀椀攀 qualsivoglia ogetto ...
1737	A New and Accurate Method of Delineat in all the Parts of the਀  䐀椀昀昀攀爀攀渀琀 伀爀搀攀爀猀 椀渀 䄀爀挀栀椀琀攀挀琀甀爀攀㰀⼀琀搀㸀	London
(全)	Guarino Guarini	Torino
(全)	Batty Langley	London